Happy GIS Day! We couldn’t think of a better way for GeoHipster to celebrate GIS Day than to announce the selections for the 2017 GeoHipster calendar. Every year has yielded fantastic work and this year was no exception.
This was the first year we had a student track and we got two submissions. To help us work through the remaining submissions, we enlisted the help of three guest reviewers. This was a way to ensure that the process included fresh perspectives in addition to those of the members of the advisory board. So, we’d like to take time to thank Gretchen Peterson, Terence Stigers, and Brian Timoney for lending their professional and creative expertise to the review process.
Thanks also Jonah Adkins and Ralph Straumann, who acted as this year’s design team. I think you’ll be impressed when the calendar comes available. Speaking of that, we expect the calendar to be ready for purchase before Thanksgiving. Keep an eye out for an announcement!
So, without further delay, here are the cartographers whose work was selected for the 2017 GeoHipster calendar:
Michele Tobias – NASA Moon Trees
Mark Brown – Photorealistic Terrain Model from UAV Photogrammetry
Philip Steenkamp (student) – Netherlands Deltawerken
Damian Spangrud – Redefining Tornado Alley
Johann & Juernjakob Dugge – Raised Relief of Mount St. Helens
Ralph Straumann – Boston Summer Farmers’ Markets Walkability
Langdon Sanders – Sandy Springs, Georgia Sidewalk Network
Nathaniel Jeffrey – Melbourne, Australia Suburban Frontier
Alison DeGraff – Historic Hurricane Tracks
Alex Hersfeldt (student) – The Unified Republic of Tangland
Jan-Willem van Aalst – Amsterdam Canals from Open Data
Andrew Nelson – Visualization of Multi-Beam Bathymetric Survey Data
As you can see, the topics were wide-ranging; demonstrating the versatility of maps and imagination of cartographers. As for the maps themselves…you have to wait for your calendar to arrive in the mail!
Congratulations to all whose work was selected. Thanks to everyone who submitted. All will be featured on the GeoHipster web site.
Rafael Roset has been working at the Institut Cartogràfic i Geològic de Catalunya(ICGC) for the last 28 years in different positions related to information technologies and geospatial content. Since his training as a computer specialist in 1985, he has been involved in all major projects dealing with paper and digital map dissemination and diffusion, as well as digitization and georeferencing of old maps. For seven years he lead the digital map library of the ICGC. He has published articles and given talks on content management, geoportals and spatial infrastructures, georeferencing, digitization, and other subjects in renowned journals and magazines and international conferences and workshops.
As a side personal project (in his 0.7% time) he has been deeply involved with the geocommunity in Barcelona, collaborating with the organizing committee of the FOSS4G 2010 congress in Barcelona and also as co-founder, organizer, community manager and driving force of Geoinquiets Barcelona, the local chapter of OSGeo (@geoinquiets).
Q: You’ve been organizing the Geoinquiets meetups and mailing list in Barcelona for several years now. Tell us about your event and the Catalonian geoscene. Surely a city as hip as Barcelona is producing geocoolness — what should the rest of the world be aware of?
A: We started the Geoinquiets group right after FOSS4G 2010 with the same people who helped organize the conference. Slowly but steadily the number of members has increased, and right now we are a bunch of passionate geonerds meeting, organizing events, providing geocoaching to whoever asks our help, and giving presentations to anyone interested in maps, as wide as the concept of maps can be. The “scene” in Barcelona has changed and is evolving to a more atomized ecosystem of geoenterprises, each with its own specialization and almost all intertwined.
Q: Catalonia has been in the global news lately as the question of independence from Spain rises in the political agenda. Since time started, maps have been a political tool, literally defining who owns what. How does this influence life at the Catalan National Mapping agency? How does the multi-lingual aspect of modern Catalonia play out in maps?
A: The Institut Cartogràfic i Geològic de Catalunya, which is the national mapping agency in Catalonia (the national mapping agency in Spain being the Instituto Geográfico Nacional) has been producing maps in its modern era since 1982. But the first mapping service in Catalonia, from whom we have inherited the tasks and the tradition, was created 100 years ago all because the map the Spanish army (all mapping agencies started in the military everywhere, is it not the case?) produced of Catalunya was not good enough and had a low refresh rate. There’s a good virtual exposition online that tells this story more precisely and with better detail.
As for the multilingual aspect, all maps of the ICGC are published in Catalan, which is our language. And no one questions that since toponymy, and specially local toponymy, does not bear well with translation.
Q: We met up at SotMCAT — the Catalonian State of the Map. Like everywhere else in Europe, OSM is thriving in Catalonia. How do you see the relationship between OpenStreetMap and national mapping agencies, particularly of smaller countries or regions like Catalonia?
A: It’s a tense relation, because natural-born cartographers think of maps as highly detailed and highly precise documents for a specific job or market, something that can be achieved only with high standards of production and specialized tools and personnel. On the other hand, society, and increasingly this collaborative society we live in which is characterized by immediacy in all aspects, needs really up to date maps and is forgiving with the precision of the 6th decimal place of coordinate pairs. So it’s a trade-off, but eventually user-generated content will enter the workflow of mapping agencies, thus producing richer maps at an increased pace. And in turn projects like OSM will benefit of the knowledge and methods and collaboration with mapping agencies.
Q: You are a long time veteran of the geo-industry. Today everyone walks around with a smart phone, consulting digital maps all the time. Have you seen a change in how society relates to maps and cartography over the course of your career?
A: Yes, absolutely, but not really in how but in how much. At some point everyone has had a paper map in their hands, usually on the go, which provided more or less information depending on the map reading skills of the one using it. And nowadays everyone has a digital map within reach, directly or indirectly, more than once a day and not only while moving. Maps are ubiquitous and have colonized areas of life far from their original purpose, and they will reach farther goals yet to come (think of the challenges maps for autonomous vehicles will bring).
Q: A focus of your role at the ICGC is making the historic collection accessible. How are you doing it? We’ve talked a bit about tools like the NYPL’s Map Warper, but what other cool things are out there in this space that geohipsters should know about?
A: Since its inception the ICGC has been increasing the funds of the Map Library of Catalonia, which right now includes almost a million objects like old maps, old atlases and books, aerial images, and private collections related to cartography and Catalunya donated by individuals to be preserved at our facilities. Back in 2006 we started putting maps and images online, and now the Digital Map library (cartotecadigital.icc.cat) is close to 100,000 online maps and images which can be downloaded for free and reused under a CC-BY license. The collection management software CONTENTdm by OCLC has been key in the success of this huge project, but also two other pieces of software because of its innovative approach to cartographic heritage: Georeferencer and Maprank, both by Klokantech lead by genius geogeek Petr Pridal.
Q: What are the most impressive old maps in the collection? Which map is your favourite? Why?
A: That’s a tough question, because there’s plenty to choose from that will suit any taste for old good cartography. But my favourite map is the “Nueva descripcion geographica del principado de Catalunya” from 1720 by Josep Aparici. Three original copies survive, (links: copy 1, copy 2, copy 3) one from 1720 and two from 1769, and are preserved at the Digital map library, one purchased long ago by the ICGC, and the other one from the funds of the Club Excursionista de Catalunya (CEC, mountaineering/hiking club of Catalunya) which we host, while the 1720 copy arrived at the ICGC almost by accident from a particular collector who wanted this piece to remain in Catalunya and specifically at the ICGC. Reasons are multiple: one because it is a good example of different institutions (ICGC, CEC) and society (private collector) collaborating. The second because it is the first printed map of Catalonia drawn by a Catalan author. And third because it’s the first example ever of an easter egg in a map: the author replaced part of the name of his hometown “Caldes de Montbui” and instead wrote “Caldas Patria del Autor” (Caldas, hometown of the author).
Q: I just moved to Barcelona myself, and can confirm it is hip. But from a geo perspective the craziest thing by far is that none of the city’s public maps are oriented with north at the top. Instead they all are oriented to show the coast , which runs southwest to northeast, at the bottom. So as a society Barcelona literally has a different view of itself than the rest of the world has. Any comment on that?
A: Barcelona has always been an open and welcoming city and the port was also the main door to the city. But later on, when Cerdà designed his proposal for a new rational urbanization of Barcelona, he designed the grid in parallel to the sea and mountain areas because these were limiting. Have you tried looking at a modern map of Barcelona north up? It looks awful because Cerdà’s beautiful symmetry is lost.
Q: Most recently at the ICGC you’ve been involved in the Geostart group, where the focus is to innovate and create disruptive products and services. Tell us a bit about this work. What kinds of projects are you focused on, whom are you disrupting?
A: Almost three years ago the ICGC organized a small dynamic party of six with technicians and coders/programmers already working on projects focused on delivering services over the internet. The idea was to produce, at fast pace, modern-looking prototypes of products and services to validate their suitability in different business areas with the goal to increase the reach and diffusion and usage of the geodata of the ICGC and at the same time approach other sectors and the public. All these prototypes have been reunited at our own Betaportal, and a few have graduated and started their own life in production, like Instamaps (an easy online map creator) and Cloudifier (a service that turns any georeferenced image into a map in Instamaps and also produces WMS and TMS services to be used elsewhere).
Q. Every year millions of tourists flock to Barcelona to wander through the medieval maze of Barri Gòtic. One of the projects you’ve worked on is “BCN, Darrera Mirada” where you overlay old maps of this world-famous district one top of a modern satellite view. What has the response been, and what were some of the challenges and learnings of the project?
A: In that project, carried out by Arxiu Històric de la Ciutat de Barcelona, I provided geocoaching regarding the digital processing of the documents (from scanning to georeferencing). The response has been awesome, especially among researchers. The most difficult part in that project was georeferencing the images, but because the original map at 1:250 was so precise and detailed it made it way easier.
As a side note, many maps of the Digital Map library of the ICGC have been georeferenced by crowdsourcing (yes another innovative project I lead in my years at the map library) and are available at the Old Maps Online portal (by Klokantech) which has an app, both for iOS and Android, so that these maps can be used to travel in time: using your smartphone you can load an old map of Barcelona and use the GPS to show your position in it, effectively walking in nowadays Barcelona while looking at how it was on paper back in the day. Really fascinating what technology allows us to accomplish.
Q: Thank you so much for the interview. Any parting words for the GeoHipster readers?
A: If it weren’t for old maps, we would have been lost long ago.
Jenny Allen is a Product Manager in the Search Team at HERE. She's worked in and out of the geo-industry for many years and lives happily in Berlin, Germany. You can follow her on twitter @sjen.
Q: You started your career in geo in the field, working for the Geological Survey of Ireland. That is hip. Tell us a bit about it.
A: It was indeed both geo and hip. I was just out of university and had rather romantic notions of working somewhere that mapped the earth. And that’s what happened.
My time was spent digitising maps from the field, analysing data from drilling records, and a spot of field mapping. I say “analysing data”; what I was doing with the drilling data was perfecting the art of manual geocoding to the National Grid. I learnt all about the techniques for mapping based on aerial photography, interpolation of point data, and the hard graft of digitising with a click pointer.
One of the greatest pleasures of working at the GSI for a map-nerd (should I say “geo-hipster”?) like me was that we had access to the original bedrock mapping done in the mid 1800s done by geologist-artist George Victor du Noyer. These are beautiful watercolours painted on-top of 19th century 6-inch maps, and have exquisite details of the landscape represented on them. I got map-goose-bumps every time I held one.
Q: Any truth to the rumour that you felt compelled to leave Ireland due to the lack of postal codes? Will you be heading back now that they’re being introduced? What’s your opinion?
A: Well of course that’s the reason I left, I couldn’t find anything. Not true actually, I was pretty nifty with National Grid co-ordinates by the time I left! (See above comments about geocoding.)
Just to clarify for those who don’t know Ireland’s postal system too well: for a long time we’ve got by fine without post codes as the Postman very often knew who was living in each house in his area. We knew our Postman by first name (Chris), and would have chats on the doorstep. I lived in a house with a number, street name, town, and county in the address. We got our post. Some of my friends in rural areas have only their name, townland, and county. They could have the exact same address as their Auntie who lives about two miles away. They got the right post.
But perhaps this is the rose-tinted view of the world I used to live in. I am of the opinion that postcodes are good for people and society. They unitise our geography to a level that brings real human benefits like accurately delivered post, routing for navigation, and geographic analysis.
I am looking forward to seeing what comes out of the Eircode work (Ireland’s soon to be launched new postal code system). It is a shame that the new codes won’t be totally intuitive. I like the hierarchical nature of postcodes like those in the UK and find it fascinating how a postcode can become part of the lexicon of geography. One of my pet projects is to tune in to the ways that non-map-nerds talk about location, such as this question overhead in London: “Who’s in the SW3 area this afternoon. Want to meet up?”.
Q: Today you live in Berlin, widely hailed as the hippest city in Europe, if not the world. Obviously it also has a thriving geo scene with HERE, skobbler, komoot, a new wave of location-based service start-ups seemingly every week, and regular events like wherecamp.de. What’s your take on the Berlin scene? What are you and the kids talking about while out sipping your Schwarzbier in Kreuzberg?
A: Is Berlin the hippest city in the world? Hell yeah! Berlin’s push-pin on the world technology map is strong and steady. It’s a great place for people with ideas for technology, music, art, everything else, and all that combined. The city is bathed in creativity and openness. You can hang out in the betahaus and get advice on your start-up; hack with the Berlin Geekettes, or join one of the numerous Meet-ups on coding.
That’s the hip part, what about the geo? Without a doubt HERE occupies a vital part in Berlin’s geo and technology scene. This isn’t a shameless plug, it’s just as it is. I know this as I have been working at HERE for over four years and I know the people and teams who develop our great products. It’s a global company and the Berlin site (around 1,000 people) includes developers, cartographers, developers, data collectors, developers, product managers, developers, designers and more developers. Did I say developers? What’s key about what we do in Berlin is that we are building the APIs, SDKs and technologies behind many of our key business services in Automotive, for example, such as routing and traffic. This is on top of the beautiful maps that everyone can use on here.com, and the HERE maps app on Android and iOS.
The bit I said earlier about “creativity and openness” in Berlin is important, because the connection between different technology groups in the city is strong. Plenty of HERE’s development community take part in the numerous hackathons, meet-ups and conferences available in the city.
Schwarzbier? Mine’s an IPA please.
Q: Relatedly, almost from the beginning the German speaking world embraced OpenStreetMap in a way not really seen elsewhere. Why is that? Is it strange working for a proprietary mapping provider in Germany?
A: I’m not sure I can provide a definitive view on why Germany has embraced OSM so much. But let me offer my point of view on Berlin at least: I think it’s down to the “creative and open” culture of the technology community. Take the open-source movement in technology; this is part of the fabric here. It means you’re being generous and that you’re part of something meaningful.
Q: Before moving to Berlin you worked for the UK’s Ordnance Survey. As someone looking from the outside, any thoughts on the transitions going on there?
A: Ordnance Survey has a very special place in my geo-heart, and I’m very proud to have had a small part in such an illustrious organisation. Since I’ve left they’ve moved office, undergone a huge refactoring of data collection, revolutionised access to data for developers with their APIs, and have now started a GeoVation Lab in London.
It looks like things are going well and I’m quite pleased to see that they’ve done very well without me!
Q: Speaking of transitions, now you’re at HERE, which it seems Nokia wants to sell. Can you share the opinion of someone on the inside?
A: If we were sipping a Schwarzbier in a Biergarten in Berlin I would tell you all about it. But as we’re not, I shan’t.
Q: As someone who is hip, but also has a considerable geo career under her belt working for a mix of different players, what are your thoughts on the state of the industry? What’s your advice to the kids?
A: Am I hip? I prefer to call myself a map-nerd. But I take the compliment.
Yes, the industry has changed, and it’s changed for the better. The big disrupter has become the standard, and the new disrupters just keep on pushing. We need quick and efficient ways to acquire data (such as vehicle image capture and community sourcing), advanced indexing technologies (think machine learning for better search), and compelling location based applications for users and businesses alike.
Something that’s important for the geographers of the world like me: you should step out and step back in. It helps to work in a different industry, experience a different domain, work with people with different skills, and to understand what it’s like to not be a geography map crazed geo-hipster. I left mapping for a few years and learnt so much about software development, user interaction, and customer satisfaction from people who are passionate about things other than mapping.
Q: Any final thoughts for all the geohipsters out there?
A: I belong to the cadre of people who love, eat, sleep, drink and breathe maps — lucky me. But I came to work here because I wanted to get back to mapping, so it wasn’t really luck — it was my ambition that got me here.
If it’s what you love, just go do it. If there isn’t a company out there doing what you want to do, go get the data and do it yourself.
Thinking back to the topic of the state of the geo-industry, I’d say that there is one key element to becoming a map champion: build applications and services that delight the geo-nervous or geo-reluctant. Make it useful, beautiful, fast and simple — then everyone will be a geo-hipster.
Alan McConchie is a Design Technologist at Stamen Design, working at the intersection of cartography, open source software, and data visualization. He is also a PhD candidate in Geography at the University of British Columbia, researching the social dynamics of crowdsourced mapmaking in OpenStreetMap. You can find him on twitter at @mappingmashups, where he hosts a monthly twitter discussion called #geowebchat. Along with Lyzi Diamond, Camille Teicheira, and founder Beth Schechter, he helped start Maptime, an international, open source educational community for learning about maps.
Q: You are coming up on two years with Stamen, and you’ve been a part of some great projects (Social Media & Open Spaces, Every Line Ever, etc.) there. Which project have you learned the most from so far, and what project are you looking forward to working on?
A: Working at Stamen has been a dream come true, and I feel like I learn so much on every project we do. The social media mapping project you mention has taught me a lot, and I’m excited about that one because it’s still ongoing: parks.stamen.com evolved into caliparks.org, and, we have more plans to keep building on it. And yet, through all those iterations, we still don’t quite know how to make maps of social media activity that will be meaningful to the public. There’s a lot of interesting geographic data processing happening under the hood, but if visualizing it doesn’t serve the needs of the overall product, then it doesn’t need to be part of the user-facing app (yet).
A lot of what I’ve learned at Stamen fits into that theme: how do you make amazing maps that are well integrated and appropriately supportive of the rest of your site / app / visualization / product / whatever? For example, the climate change maps we made for the Audubon Society are really fantastic on their own (and I learned a lot about hacking Tilemill in the process), but I’m also really proud of how they fit together with some non-geographic visualizations we did, and of course a beautiful site built by Mule Design. I’m a map guy, so I love a map that’s successful all on its own, but I love it even more when a great map fits seamlessly into a larger message.
Q: You are a huge contributor to OpenStreetMap, and a lot of your doctoral research involves OSM data. What has been your favorite aspect of OSM?
A: I wouldn’t say I’m a huge contributor, and I never have the time to edit as much as I’d like. Although I am proud to have joined the project early enough to get my first name (Alan) as my OSM username!
As an academic, what fascinates me about OSM is that it’s like studying Geography as a discipline: it can be about so many different things. If you’re into politics, you can study Political Geography, if you’re interested in culture, there’s Cultural Geography, if you’re concerned about the environment, there’s Environmental Geography… you get the idea. OpenStreetMap is also like that. It’s kind of a microcosm. It’s about how we deal with the world, and how we deal with each other. So you can use OSM as an example to study so many different things: how people cooperate (or fail to cooperate), how information and knowledge are produced in the age of the internet, the emotional attachment people feel to place, even the differences in the way we all perceive the world. These are all issues that are very close to the heart of OpenStreetMap.
I’m the first to admit that OSM has serious problems (the digital divide between rich and poor areas, a deep lack of diversity, a persistent unfriendliness to newcomers), but I doubt I’ll ever give up on it. I’m optimistic that we all can keep making OSM better, and at minimum I expect it will only keep getting more and more interesting as it grows! Projects like the Humanitarian OpenStreetMap Team prove the difference that OSM can make in the world. It’s an important project that’s worth fighting for, to help it get better.
Q: Community engagement and education is obviously very important to you — either through your university instruction, presentations, or things like Maptime, OpenStreetMap, #geowebchat. First, where do you find the time? And second, what is the best lesson you could teach someone pursuing a geo career? What about someone involved or getting involved with the geo community?
A: Well, I’m lucky that Stamen strongly supports education and community engagement, so that helps me find some of the time to do all this. For me on a personal level, though, I know I’m extremely privileged and lucky to have learned the things I’ve learned, and to have the opportunity to work on so many interesting projects, both at Stamen and in graduate school. I feel an obligation to share that knowledge with other people, and to help create opportunities for them. This is especially true because I’ve learned so much from open source and open data, which depends a lot on the generosity of others. Teaching and sharing goes with the territory of open source, in my mind. We all find our own ways to contribute, and for me, teaching is my way of giving back to the community.
My advice for someone pursuing a geo career or getting into the community: Start a blog and document everything you learn, build a portfolio of projects, and share your progress. You’ll help other people who are also learning, you’ll build a support network, and you’ll raise your profile when applying for jobs. Be active on social media, but be smart about it. I’m on twitter a lot, but I try to think of it as research. If you’re not learning new things that are useful to your pursuits, then you’re following the wrong people and you’re just wasting your time. Also, use social media to cultivate contacts in real life. You never know where your next job offer might come from.
Q: How excited are you for the upcoming State of the Map US? Any talks planned? And there’s a Maptime summit too? WAT!?!?
A: I’m so excited for SOTM-US! I can’t wait to chat about OpenStreetMap all weekend in the freakin’ United Nations! I submitted a presentation about my dissertation research, wherein I hope to carefully wade into the debate about whether imports are good or bad for OSM.
And the Maptime Summit is going to be so great! We have a full day of events planned for the day after State of the Map, so please stick around in NYC for one more day and join us for that!
Maptime has really started to mature in the last year, and the Summit will be Maptime’s emergence from it’s awkward adolescent phase. There are so many passionate Maptime organizers around the world who are getting the hang of running their local chapters, and have tons of energy to help Maptime grow. I look forward to hearing all great lessons the organizers have to share with other organizers. Meanwhile at HQ, we’re figuring out some systems to help Maptime scale from our current 50 (or so) chapters to the next 500, so expect some announcements regarding that at the Summit. Now’s the time to keep learning from each other, to celebrate all the awesomeness that’s happened so far, and to figure out how to make Maptime even more awesome in the future.
Q: The Pop vs Soda project was a very popular survey (350K responses) showcasing the relation of geography and linguistics. What was the most important takeaway for you as a researcher?
A: When it comes to the Pop vs Soda Page, I’m only an amateur linguistic geographer! I had no idea what I was doing with that project, and it’s definitely not scientific. That was actually my first programming project (at least, the Perl scripts that run the site on the back end), and I had no idea it would become so popular. If I learned anything from that project, it’s that people get extremely riled up over the most trivial things. Who knew that passions would run so high when it comes to stupid carbonated beverages?
Q: Cartographer to cartographer: Your desert island favorite maps?
A: I was afraid this question was coming! Instead of sticking to stand-alone maps, I’m going to cheat a little bit by including a lot of atlases, too (both online and physical ones). Here are some of the touchstones that I keep coming back to for inspiration (but I’m sure I’m forgetting many more amazing ones):
Eric Fischer’s tourists and locals maps are one of my all-time favorites. Sure, the sheer volume of data shown on the map is impressive, but it’s that one insightful tweak (classifying users as tourists or locals based on how often they were active in one city versus other cities) that makes the maps endlessly fascinating. The maps show you so much about social activities, about the structure and landuse of cities, about the grit and noise present in the technological infrastructure of GPS and cell phone towers and so on, it’s just amazing. I could look at them for days.
I’m a big fan of Bill Rankin’s Radical Cartography site, which is a treasure trove of beautiful minimalist maps about all kinds of topics. I can’t pick just one! Along the same lines, I also love Dorothy Gambrell’s maps for Very Small Array. With both Rankin and Gambrell I love how prolific they are, how it seems like any topic of dinner conversation might spur them to go home and find a way to create an interesting map about that topic. They also do a great job of hiding the amount of research that goes into each of their maps. They make it look effortless.
Speaking of “radical cartography”, I’ve always been interested in the potential of maps for activism. Lize Mogel and Alexis Bhagat’s “An Atlas of Radical Cartography” (unrelated to Rankin’s work) is a great collection of creative, political maps on various topics, made by mapmakers who blur the lines between cartographer, artist, and activist.
Within academic Geography — although he eventually got kicked out of academia — “Wild” Bill Bunge is the patron saint of activist mapping. I’d have to pick his 1971 book/atlas “Fitzgerald” about race, economics, and geography in Detroit; the maps are certainly dated, but the topic is as relevant as ever, and the scope and ambition of the project is staggering. The Million Dollar Blocks project by Laura Kurgan and the Columbia University Spatial Information Design Lab is one of the modern day successors to the Fitzgerald atlas. (Interestingly, Adam Greenfield’s newsletter this week made a similar connection. Maybe Bunge’s making a comeback in the zeitgeist?)
And just to show that activist maps don’t have to be so dark and sober when dealing with a serious topic, Julian Busac’s map of Palestine as an archipelago borrows the aesthetics of traditional maps to vividly communicate how space is experienced on the ground by millions of Palestinians. It’s lovely and serious at the same time.
Q: What does the term geohipster mean to you, and as a doctoral candidate what would you prescribe an ailing geohipster?
A: I don’t really know what geohipster means! It’s probably like “hipster” IRL: everybody thinks they know what it means, but nobody can define it. Based on the previous geohipsters interviewed in the blog, it’s hard to find anything they have in common, other than awesomeness.
That said, am a sucker for new words, even ones I don’t fully understand! I’m happy to add “geohipster” to the list of neologisms I started collecting back in my early days of grad school. It includes neogeography, of course, but also neocartography, VGI, f-VGI, CCGI, AGI, web 2.0, GIS 2.0, Maps 2.0, GeoWeb 2.0, web mapping 2.0, new spatial media, WebGIS, GIS/2, alt.GIS, wiki-mapping, the wikification of GIS, map hacks, map mashups, geohacks, mapumentaries, autobiogeographies, geobrowsers, digital earths, virtual globes, cyberplace, digiplace, the cyberspatial web, cybercartography, telecartography, paracartography, social cartography, naive geography, egocarto, geomedia, geospatial media, ubiquitous cartography, ubiquitous mapping, ubiquitous computing, pervasive computing, ambient computing, hertzian space, hybrid space, mixed reality, augmented reality, augmented space, and that’s not even my complete list. I’ll leave the definitions to your imagination and as a test of your google skills.
So, what would I prescribe an ailing geohipster? Maybe revive one of those terms I just listed? Some of those trends are more than ten years old, and are totally ready for a comeback! Doesn’t “cyberspatial” have a catchy, nostalgic feel to it? Or maybe you should resurrect some retro technology like the original Google Maps API from 2005? That sounds like an appropriately artisanal programming project that some geohipster could do over a weekend.
Kate Chapman is the Executive Director at the Humanitarian OpenStreetMap Team. Her most recent work has been in Indonesia working on a three-year program with the Australia-Indonesia Facility for Disaster Reduction using OpenStreetMap and InaSAFE to help disaster managers better develop contingency plans. Previous to working at HOT, Kate was involved in development of multiple web GIS applications, including GeoCommons and iMapData.
Q: So, Ms. Kate Chapman, how did you dive into the world of geospatial?
A: I was attending George Mason University focusing on Computer Science, but I wasn’t often going to class, and I ended up on academic suspension. During the semester I was not attending school I found a job with a mosquito control company as a pesticide applicator (this was back when West Nile Virus was going to kill us all). Unfortunately the first day we discovered I was allergic to the pesticide being used. Instead of being fired for not being able to do the job I was hired for, I was given a pirated copy of ArcView 3.2 and told to learn it. At this point I decided mapping was pretty cool, and discovered switching to Geography at GMU when I returned would allow me to graduate way more quickly than computer science. So I switched majors and continued working as a cartographer for the mosquito control company.
Q: As I have said — let he who has not pirated ArcView 3.2 cast the first stone. So you are now the executive director for HOT. For those who do not know — what is HOT? What does the executive director do?
A: My ArcView 3.2 came pre-pirated.
HOT is short for the Humanitarian OpenStreetMap Team. HOT applies the principles of open source and open data sharing to improve the welfare of the communities where we work, especially those at risk of natural disaster or other crisis. That essentially means two major things: First, we organize international volunteers to create data in OSM — primarily through digitizing and using already open data — and second, we provide training and technical assistance to communities and organizations in areas prone to disaster.
As the Executive Director I’m responsible for running the operations of HOT under strategic guidance from our Board of Directors. It is a position not dissimilar to that of a CEO.
Q: Nothing like the fabulous life of a CEO. If I’m not mistaken, you ended up in Jakarta, Indonesia, hopping islands, teaching locals about mapping in OpenStreetMap. All of that was in preparation for a tsunami event in the future. What was it like teaching the concepts of OSM and open data to an entirely different culture?
A: It is true that OSM brought me to Jakarta. The program name is Scenario Development for Contingency Planning (SD4CP). The goal of SD4CP is to help disaster managers use science to inform their contingency plans. What that means is the World Bank, Australian and Indonesian governments were working to build software that could do impact modeling (the software is now called InaSAFE). They had scientific models on hazards such as earthquakes and tsunamis, but were missing exposure data such as buildings, schools and health facilities. I came in with HOT to see if we could help foster an OSM community to collect that data. Things have grown and now our team is responsible for the curriculum for the program and providing training. They teach OSM, QGIS, and InaSAFE to government, NGOs, individuals, and educational institutions.
Q: What was the best thing that happened — and the goofiest — while you were there?
A: The best thing was that I got to travel all over Indonesia with a great team. It was amazing to see how diverse the country is, and to meet all kinds of people. As far as the team, HOT Indonesia was divided into two training teams at the time, Team A and Team B (yes, we were so creative).
Hmmm, the goofiest… I think that would be the quantity of “jumping photos.” Jumping pictures are exactly what they sound like. Everyone in the picture jumps so they are airborne when the picture is taken.
Q: I notice on the HOT mailing list sometimes you guys respond to a request from an aid organization, and sometimes you just start mapping. Who are some of the humanitarian organizations that ask for help?
A: We get a lot of different mapping requests. Sometimes it can be as simple as someone has a particular interest in an area — they are from there, they have friends there, etc. Though often requests are from larger organizations. Recently we launched the Missing Maps project in partnership with the American Red Cross, British Red Cross, and Doctors without Borders UK. This is a way to bring people together and support HOT in filling in gaps on the maps.
We also receive requests from other International Non-Governmental Organizations, offices of the United Nations, and national governments. It really depends on the disaster and the need.
Q: How do you sustain an organization that maps for free (plug for money if you want)?
A: We sustain the organization primarily through grants for specific projects. We are also a tax-exempt 501(c)(3) organization, so donations to HOT are tax-deductible to US taxpayers. http://hot.openstreetmap.org/donate
Q: So what about this Geoglobal Domination Video thing? What is that about?
A: Well, you can always post the link to GeoGlobalDomination: the Musical.
Q: You’re currently on the GeoTeam at Apple. What’s it like working for one of the best-known tech companies in the world, and what are you doing there?
A: Working in tech is something I really wanted to do, but it isn’t for everyone. Instead of cleaning and exploring data in small batches, choosing my map type, and tweaking my visualizations until they are just right, I work on one big reference map in the cloud, with a lot of other people. While I love the size and scope of the projects I work on now, there are things I miss about having my own personal cartography and data analysis projects that I could use to hone and practice the craft.
A: Any great data visualization takes great data and a ton of time. That map was a breakthrough for me. Tilemill was pretty new; I’d been playing with it for a while, using it to make simple slippy maps of data for the San Francisco Bay Area. I had to hack it hard to get it to render the output of my little geospatial analysis, but it did a beautiful job. People said it was useful at the time, but I’m not really convinced. Using Empirical Bayesian Kriging to model one bedroom rental prices? I’m not sure what that even tells you. I still think it’s pretty though. Ultimately what that project was really about was finally feeling like I’d broken out of my government job analyzing data and making maps for internal consumption to something that could reach a larger audience.
Q: At State of the Map 2014, you co-presented on ‘Teaching Mapping To Geographers’, specifically the disconnect between OSM and geography students. In your opinion, is the divide between GIS professionals and OSM greater, and what do you think can happen to bridge that gap?
A: I mean, I love OSM; it is an audacious experiment that worked and continues to work, but on the whole GIS professionals don’t want to digitize features and tag them with categories as an extracurricular, and I’m not entirely sure the core OSMers want them to participate otherwise. I really admire what the Red Cross and HOT OSM have been able to do to use OSM as a vehicle for citizen mapping. Those are really the folks that hold the key to bridging the gap between OSM and GIS professionals. As for geographers, I think we are more interested in OSM phenomenologically and for the data. In addition to all the great projects people are doing as part of OSM or on behalf of OSM, people ask great questions on the OSM talk-us mailing list and have really great ontological discussions about map features, and I find following those discussions fascinating.
Q: In reference to teaching geography and cartography: You’d be wildly rich if you had a nickel for every time you’ve said…
A: WGS84 is a datum, not a projection. Choropleth not chloropleth. If you don’t know what your map is supposed to be telling us, neither do we. You should have spent more time on this. I hate heatmaps.
Q: Cartographer to cartographer: Your favorite map(s)?
A: There are so many talented cartographers out there, and for anyone reading this who doesn’t know, you Jonah Adkins are a prime example. The pop art map tiles you designed recently. Woohoo! Rosemary Wardley did a similarly awesome pop art thing that I really loved, a map tile for the map “quilt” at NACIS (errata: I tagged her wrong on Twitter). In general, among my most favorites, I love colors and I love information design done beautifully and unconventionally. I admire the work Eric Fischer and Miguel Rios have each done independently to make a beautiful image from a gazillion data points. I love “Geological Investigation of the Alluvial Valley of the Lower Mississippi River” (Fisk, 1944), and the Willamette River Map by Daniel Coe. I’m doing a thing with pairs here! The USDA Plant Hardiness Zone Map has stood out in my mind for years as something beautiful and complex with so much data behind it. But my favorite maps of all time are antiques from the 17th and 18th Century. The old cadastral maps from France, the earliest maps of the U.S. Census, and Minard’s Port and River Tonnage map — less famous and more beautiful than his map of Napoleon’s march. Those are my favorites, I think because they convey to me a certain obsessive something that you get to only by giving yourself all the time in the world and a little freedom to play. But also, every day I am pleased and humbled by scores of maps that embody the principles of good, practical cartography: keep it simple, less is more, make it a composition by harmonizing and arranging your elements, and remember you are telling the story.
Q: The standard #GeoHipster interview question: What does the phrase mean to you, and are you a #geohipster?
A: I think #geohipster resonates for a few reasons. First, it is startling when people think you are cool just because you make maps. Most of us, me included, were not always quite so objectively cool. Second, because the geoweb is pleasingly small once you break out of GIS professionalism or whatever other standard paradigms there are, which is a great ferment for ironic inside jokes. There are so many warm, genuine, supportive people who make maps and map-making tools, and will share the best parts of themselves and what they are learning from this crazy ride we’re on right now in a world that is just starting to think about the implications of relating through location. Am I a #geohipster? Without question, yes I am, whatever that means.
Gretchen Peterson is a cartography explorer who is constantly on the lookout for new techniques, tricks, and solutions that collectively elevate the status of maps. Peterson shares these adventures in her cartography books, blog, and twitter stream, and also, sometimes, cracks extremely funny nerd jokes. As a Data Scientist at Boundless, Peterson designs basemaps with open source technology, and recently wrote a blog series on QGIS.
Q: You’re pretty much renowned the world over for your cartography publications (Cartographer’s Toolkit, GIS Cartography: A Guide to Effective Map Design First Edition and Second Edition). Tell us a little bit about your background and how you came to be an author.
A: Thanks Jonah, but I’m definitely not renowned the world over. In fact, before I took a position at Boundless last year, one of my siblings was counting unemployed people in our family and included me in the tally. It was obvious that not even my own siblings knew what I was doing all day, even though at that time I was running a successful geo consultancy. That said, I do occasionally run into people who know me, which is a pretty neat thing, although it can be embarrassing when you’re recognized taking a selfie with your own book at the Esri User Conference bookstore.
My background is in natural resources. I’ve been a life-long advocate for environmental stewardship, and GIS, as a means of cataloging, understanding, and anticipating Earth’s processes, was a subject that a professor urged me to study and was the subject of my second most important internship. (The first was censusing common terns, which involved less time on a computer and more time getting pooped on.)
My first non-internship job was at a technology firm in which I was asked to not only do GIS but to also make maps of the results. This is that moment when you realize how important proper results visualization is for your own career’s sake as well as for the success of the projects that you’re working on. If an analysis points out where the county should purchase land to protect an important species, you’d better be able to map it adequately.
There was a significant dearth of practical cartography books at that time: the early 2000s. With some training in design — I was a landscape architecture major in college my first year — I decided that if no adequate books on the subject materialized in the coming decade, I’d figure out good map design principles myself and then write about it for others. And that’s exactly what happened. The first book I wrote is more of a comprehensive textbook on cartography while the second is full of practical tools like color palettes and typefaces. It turns out that both books have been embraced by college professors and career professionals alike.
Q: You recently made the jump from being a private consultant to working for Boundless as a Data Scientist. Has that been an easy transition?
A: Working at Boundless has been just as exciting as I had hoped it would be. Some of the brightest geo minds work there, and they have a sense of pride in helping do good things for the geo community. I think that in most professional positions one ultimately is happiest when making important contributions, whatever they may be, and I have plenty of opportunities for that in this position.
Q: You give regular cartography tips on your blog. If you could give only one piece of advice to someone what would that be?
A: This is not a fair question! I’ve been giving advice on my blog for close to 5 years, and there’s still so much I haven’t covered! But seriously, if I had to say only one thing it’d be to study existing maps, both old and new, and begin to compile a list of map patterns that can come in handy for future mapping projects. The patterns part of map patterns is a term I’ve borrowed from software engineering where it’s been shown to be a good idea to thoroughly understand how problems are commonly and most efficiently solved. They say that all innovation is derivative, and that extends to cartography as well.
Q: I think we got started in GIS around the same time (late nineties) — we’ve seen a lot. What do you think is the greatest accomplishment in cartography in the last 5 years?
A: The greatest change has been the movement from cartography as a medium that only specialists could use to cartography as a medium that everyone can use. This new ease-of-use has resulted in an influx of design-oriented, rather than science-oriented mappers to join the field. As a results, the aesthetic level of all maps has increased dramatically and thereby engaged the public to such an extent that they’ve become demanding users of maps rather than blasé bystanders by virtue of the maps’ enhanced readability, interactivity, and beauty. This is all good.
Q: We had a conversation once about emotional cartography/ers and the need for affirmation (#mapaffirm). Are you an emotional cartographer, and why is affirmation in design work important?
A: Ah yes, this is an important subject, especially for those new to the profession. It’s a “haters gonna hate” kind of situation with the map critics out there. And some mappers get down about how their maps are received.
I’m not an emotional cartographer, but that doesn’t mean I shouldn’t be sympathetic to those who are. Gordon MacKenzie, who wrote Orbiting the Giant Hairball, talks about his position at Hallmark as one of shoring up employees’ egos. If a designer came to him with an idea, he invariably responded that it was a good idea, whether or not it truly was. His reasoning was that if it wasn’t a good idea, the designer would eventually realize that and halt production. Perhaps along the way the designer, with the confidence of being backed by a design director like MacKenzie, would come up with a superior product idea.
We also have to remember that rarely does anyone appreciate creative endeavours, especially those that push boundaries, as much as they should when the object is first released. Only time can prove the utility and lastingness of a great map. Just as Mark Twain had to stand up for himself after an editor tried to suggest changes to one of Twain’s introductions, so we can too, for the maps we make today, whether or not they win awards this year or meet with critical favor at the time they are first released. (It did not end well for the editor. Twain not only refused to edit the piece, but also rescinded the piece altogether.)
So, even if you feel like you need to attend a meeting of Emotional Cartographer’s Anonymous, you must have a certain courage when it comes to publishing maps. And if a map that you made was indeed a terribly misinformed piece of drivel, then just remember what @mysadcat said, in its infinite wisdom: https://twitter.com/MYSADCAT/status/468835053863452674/photo/1.
Q: What are your desert-island, all-time-top-5-favorite maps?
A: First and foremost would be Google Maps. It’s likely the most extensively and most frequently used map, with the most factual coverage, and with the biggest team behind it, that the world has ever seen. By a long shot. It’s Lewis Carroll’s life-sized scale map concept at heart, in that it contains so much spatial information at such large scales that it comes close to being intellectually life-sized but has none of the cumbersome problems that Carroll’s 1:1 scale map would have.
“It has never been spread out, yet,” said Mein Herr: “the farmers objected: they said it would cover the whole country, and shut out the sunlight! So we now use the country itself, as its own map, and I assure you it does nearly as well.” –Lewis Carroll, The Complete Illustrated Works, Sylvie and Bruno Concluded
The second choice would be any thematic map that illustrates the power of zoom-level mapping, where one can discern patterns at many scales, and thus draw from it a multitude of important conclusions. Dot maps are particularly well suited for this, such as the Ethnical Dot Map by the University of Virginia Demographics Research Group.
My third choice would be the Dymaxion map of world wood-density, which is made of wood and foldable. It has all my favorite components: a cool projection, a very meta media vs. content message, and it’s tactilly interactive! The creativity that went into this is inspiring.
My fourth choice would be the North American Bird Flight Range Shifts series for the intuitive animations of ranges over time, the small-multiples aspect, and the underlying mission to better understand our natural resources through superb visualizations. Plus, the Stamen Design blog post on the subject includes a gif of an owl being bopped on the head by a much smaller bird.
And lastly, I would bring along a kusudama made from the pages of an old map book. This work of art was created especially for me by a good friend. Personal maps should always be kept close to the heart.
Q: The standard #GeoHipster interview question: What does the phrase mean to you and are you a #geohipster?
A: My guess is that a geohipster would be a person who is receptive to new techniques and new technologies inasmuch as they make a better world through geo. A geohipster would also be a person who is able to reach into the past for anything that can be adapted and put to good use in the present.
In this sense of the term geohipster I would hope that I could be included. I don’t fear new technology but I also don’t want to dwell on it to the exclusion of other ideas that could be useful, since cartography is fundamentally about where things are, not about the technology that displays them. Just as we don’t need parchment anymore for maps, so too we may not need computers in the future. As long as I’m massaging spatial information into wisdom or into tools that make wise decisions possible, I’m happy.
I do have to confess to never having GPSd my biking trips. If that’s one of the criteria, then I’m not a geohipster.
Q: What’s next for you? Any new books planned?
A: No new books are in the works at this time, but I’m looking forward to discussing cartography and QGIS at the upcoming Denver Geospatial Amateurs gathering and FOSS4GNA.
Jonah Adkins (@jonahadkins) is a Sr. Geospatial Analyst with GISi out of his home office in Newport News, Virginia. He has been in GIS since 1999 working for local governments, federal agencies, and most recently as a consultant. Jonah is a published cartographer who enjoys time with his family, maps (duh), Disney, Pro-Wrestling, has a tattoo of Esri North Arrow 51 and was told by Pharrell Williams that he looked like Freddie Mercury.
Q: Hey Jonah, thanks for taking the time to sit down with me! I know you from Twitter but many of us know you from your incredible Lost Map or they fall in love with It’s A Small World all over again through your cartography. What do you do for your daytime job?
A: For the last few years I’ve worked as a Sr. Geospatial Analyst for GISi. The majority of my work entails cartography, graphic design, UI/UX for applications, and traditional GIS work for many of our clients. I’ve spent a good portion of last year doing some awesome things with the Navy Shore Energy Program.
Q: Your maps are beautiful, beyond just being a method to convey information; they’re art. Do you have a background in design or some other art media?
A: Nope. I was always a doodler growing up, but never took any classes. I wouldn’t call myself a designer or anything like that, but I think I can tell when something looks “good” — at least to my tastes.
Q: I stumbled upon a great video where you presented great cartographic design elements to keep in mind. Have you thought about teaching this to other GISers? Beyond the occasional conference talk?
A: It’s a funny thing. I’ve always thought that you can’t really teach “making a pretty map.” Books and the like can give you helpful info, but I feel it’s something that’s unique to the person creating the map. Your current emotions, likes and dislikes, all that stuff is in anything you create, for the most part. Then someone told me, “yeah that’s great and all but we want you to show us how to make a pretty map”. So I had to get my thoughts on paper and decided I could at least give some pointers on guiding the creative side to a desirable output.
A: Never. I have Gretchen’s awesome book “Cartographer’s Toolkit,” a signed first edition!!! It’s been my starting point on several projects where I’m struggling to find my inspiration and I need something to get me started. It’s very good because it’s a tool to guide you, it’s not, to me, an instruction manual. Water doesn’t have to be blue, it’ll be ok, and I’ll be damned if you use Comic Sans as your title font!
Christina: Haha I really did spend some time selecting what font to do this interview in.
Q: You have a robust github, tell us about some of your projects you’ve got going up there…
A: I really love maps, mapping tech and all that goes with it. Basically any of my free time, and some of my not so free time, I’m usually trying out something new or working on an idea. This usually happens with one or both of my daughters watching Saved By Bell in my lap. GitHub is great, it’s collaborative and social, which is something I tend to thrive on.
Weekend Update was one of my first github projects, it’s a riff on Project Linework, a not-so-standard basemap themed after Saturday Night Live’s Weekend Update segment.
Amazing-er Maps is a cartographer’s plea to make online maps better — not that I know better, but with all the open/free map technology out there, certainly some of these “Amazing” maps on the web could be improved.
Custom Backgrounds In AGOL – Probably one of the more popular ones, is a guide to adding another provider’s maps in ArcGIS Online projects. I’m not the first to write about it, but I think it’s safe to say that people are ready, and want control over every aspect of online maps.
Q: Speaking of your daughters, we just had the 10th anniversary of OSM. Your daughter contributed to OSM with you, how did you do that? If you could give advice to other dads out there, how can you inspire your daughters to get involved with mappy stuff? What did she map?
A: My sweet Sophie 🙂 She really thinks what I do is cool, and after a few years of talking to her school classes about maps, she’s been bugging me to teach her something. What better way than through OpenStreetMap? She’s 10 and starting 5th grade, the iD editor was really easy for her to pick up. We talked about what she wanted to do, she decided on schools and parks, because “I think kids like me would like to know where playgrounds and schools are.” She loves the fact that everyone can see the work she has done. She wants to teach her friends at school once she goes back next week.
A: Like most I’d seen some ramblings of #maptime over the last several months on Twitter, and after hearing Lyzi Diamond talk about it (twice) at the Esri UC, I was really inspired to get one started. I like helping and sharing about maps, and have been struggling with a way to do that locally with more than the typical GIS crowd. I’d started attending the local Code For America Brigade meet-ups earlier this year and @maptimehrva is a great extension of that hack night concept. Come hang out, and let’s talk maps. Doesn’t matter what you know, you’re gonna learn something tonight.
Q: I find the cartography you do with ArcGIS Desktop breathtaking but honestly, I get excited when I toss in a drop shadow or I do a transparency mask to highlight my area of interest. If you were to put three pieces of low-hanging fruit out there for other Desktop users to implement in their maps, what would they be? (READ: a couple of cool “tricks” in Arc that have good cartographic payoffs?)
A: Regardless of what software you use, practical knowledge of concepts helps greatly, experience helps too! To me it’s fun to learn the ins and outs, push its limitations and figure out ways to do things it easily can’t. Something I tell people who ask for cartographic help: GIS people make GIS maps — which is a bad way of saying GIS people tend to make maps they can read and understand. A friend made a great analogy of that — people would rather read “SF Earthquake: 6.1” than be shown a seismograph.
My three tips would be:
Use a color palette. Colors are better when they are not fighting with each other for paper space supremacy. But also be mindful of too much color. Nothing stands out when everything is on the same color ramp. Finding the right balance pays off in the end.
Never accept the defaults. Things I’ve seen overused for the last 10 years: ArcMap Yellow (hex #fcfbab) in the legend or graphic background, Esri North Arrow 9, Layer_and_field_names_like_this_in_the_legend… Change something, change everything. You’ll gain experience just by exploring the options.
The One “Thing” — before you start a map, determine what is the one “thing” the viewer should take away from the map. Is it the neato font? Keep going. Is it the pattern on the water? Keep going. Keep going until it’s the purpose of the map. All of those design elements should only help tell the story, they shouldn’t be the story.
Q: I love the term geohipster, I take it as a playful comment. How do you feel about the term, do you self-identify as a geohipster? What does it mean to you?
A: It’s a playful comment I can relate to. I get regular comments about my mustache, and I’m like, I’ve had this thing since sixth grade, and I’ve only been without it once. Then all these people started growing ‘staches out of novelty, or because it was the new cool thing, and I get lumped in with that crowd. Maps have been around. It’s only natural for those of us that have been around with them to say “yeah, but I’ve been mapping since before Google.”
Q: Five awards at ESRI UCs, first place at Virginia’s GIS Conference last year, Runner Up, Best Cartographic Design at last year’s FOSS4G, 2nd Place in this years GISCI-GISP Map Contest — do you have any award winning pieces in the works?
A: I try to do several personal projects a year. It helps me keep my skills sharp, and gives me a chance to just have fun mapping something for myself. All shrouded in secrecy of course, sorry.
Q: Some weeks I see you at #gistribe, here’s your opportunity for a #shamelessplug — do you have anything you would like to share with geohipster readers?
A: #gistribe, #geowebchat and others provide such a great social resource. My #shamelessplug would be to invest your time in social discussions like those. Company feeds are good for updates and examples, but only provide one view of the technology. Engaging with other like-minded geo people via twitter provides a great unfiltered look at what’s working and what’s not. It’s the biggest downer to me when I talk to someone in our field who’s never heard of OpenStreetMap, Github, Leaflet, Tilemill, etc. And it happens often. There’s so many great things happening in Geo that you’ll never know about unless you step outside of your bubble and explore.
We are planning to publish a 2015 GeoHipster wall calendar, and we invite you to submit your GeoHipstery maps or other images for the calendar (email to firstname.lastname@example.org). We will credit the authors, obviously.
The first submission (below) has come from Markus Mayr in Vienna, Austria (thanks, Markus!).
[UPDATE August 25, 2014] There is no deadline for submissions. We have received submissions from 12 authors [count updated 2014-09-13]. Submissions from the first 13 mapmakers will make it into the 2015 GeoHipster calendar.
Jonah Adkins from Newport News, Virginia was the second to submit. See his map below Markus’s.