Britta Ricker, PhD (@bricker) is an Assistant Professor at Utrecht University in the Copernicus institute for Sustainable Development. Her research interests focus on accessible spatial technologies, particularly open data and the use of mobile devices. Dr. Ricker co-founded the Masters in Geospatial Technologies at the University Washington Tacoma. She has also provided GIS and cartographic services for the United States Federal Emergency Management Agency, MapQuest, and the Commission for Environmental Cooperation.
Dr. Ricker was interviewed for GeoHipster by Natasha Pirani.
Q: Hey Britta (Dr. Ricker?)! Tell me about your start and your education/career path in GIS, and as an academic. Did you always aspire to be a professor?
A: No, I did not always aspire to be a professor. Not at all. I wanted to have a career in International Development. I grew up in rural western Maryland and I played outside a lot. I liked to follow the water flow downhill, and I would daydream about what was over the next hill. My dad was a preacher and my mother was a high school librarian, they were always helping others and I wanted to do that too. My favorite aunt worked for the United Nations and had/has a glamourous international life in NYC. I always wanted to be her! I thought I would study international politics to get there.
I quickly found that the Geography Department at my university (Frostburg State University) at that time (2002-2005) was particularly strong and the professors were really inspiring. I did not want anything to do with GIS and programming, and I avoided it until one day, Dr. Fritz Kessler, a fantastic cartography professor sat me down, and asked me directly “What are your career goals?” I told him, and he explained to me how cartography and GIS can be used for international development. I changed my major the next day.
There have been so many conferences, events, social media, whatever, where people (men) ask, how can we get more women in the field? Take the Fritz Kessler approach. Don’t tell women or anyone how you think of GIS or how they should think of GIS; bring GIS into their value system, into their frame of reference, their interest. It is a fun challenge.
Q: Have you experienced particular triumphs or challenges as a woman in GIS, academia, and hipsterhood?
Q: You relocated last year to the Netherlands! How has the transition been? Do you ride your bike everywhere?
A: I do love it here. I am still getting used to it. The Dutch labor law and academic expectations don’t always match, which is fun to learn and navigate. Work/life balance is so important, and in the Netherlands it is the law. I was an exchange student to the Netherlands in high school which is a big reason I am here now. I do really miss the mountains in the Pacific Northwest, the region I had lived for the past 8 years. I like riding my bike everywhere, although I am still learning the “rules of the road” and the nuanced social etiquette of urban biking in the Netherlands. I joke and say my bike is my car. It is John Deere tractor green with a big basket on the front to carry my groceries and makes me smile everytime I see it. I am proud hearing my daughter learn Dutch so quickly, she regularly corrects my pronunciation. I am struggling with Dutch, especially since everyone speaks English so well. Mappy Dutch Fun Fact, a bell tower in Amersfoort is 0,0 for the Dutch datum. There is an awesome multimedia, projection map exhibit about the exact place. Forget Amsterdam, visit Amersfoort!
Q: Our earlier conversations have meandered into topics related to critical and feminist cartography and data visualization. What do those concepts mean to you, and how do they intersect with your research interests and your current work?
A: Wow, okay, this is a big question. Critical and feminist cartography and data visualization are two different fields that so obviously overlap but are incredibly difficult to publish together in academic peer reviewed journal articles. Feminism is really a lightning rod term, particularly in Europe I am noticing. Those who react especially negatively to it, I ask them to define feminism and they often say something like women before men. That is not feminism, feminism is about equality, that is it.
Theories are hard to apply, and my experience is that theorists don’t like it when you try, so it is sometimes better to decouple the two in academic writing at least. Feminist cartography is deeply rooted in my epistemology, my way of knowing, and I like to think it informs all that I do professionally. The research I pay attention to and further is informed by my understandings of feminist cartography and GIS and how I hope it can be extended. I have been enjoying working with Meghan Kelly in this type of research and thinking. In terms of research, feminist cartography acknowledges that there are multiple ways of knowing, seeing, and understanding space. Traditional cartography is not the only way. (But I also don’t think we should villainize cartography!) My way of knowing is not the only form of feminist cartography, or feminist ways of knowing. This is what makes incorporating feminist practice into cartography so very difficult; well, one of the things.
I am interested in developing research questions, to measure and evaluate learning outcomes based on specific communication goals, testing different map interfaces. I aim to investigate the use of new forms of technology such as 360 cameras and new, exciting interfaces that are becoming more widely accessible, such as virtual reality and comparing them with traditional 2D maps. What are the strengths and weaknesses of different visualization methods, in terms of what is learned from them — are they simply fun, or are they useful to communicating something specific like the spatial distribution of a phenomenon necessary for resource allocation or other decision making? The research questions are endless, really. Results will change as the technology evolves and the social uptake thereof evolve. I don’t really know how to do this, I could use that wayfinding app that you ask for below…I regularly read and re-read the work of Agnieszka Leszczynski, Nadine Schuurman, Sarah Elwood, Renee Sieber, and each time I read their papers, I get different morsels of inspiration and understand them differently.
Q: You’ve said that you “aim to illuminate techniques to make visualization tools associated with GIS more accessible to diverse audiences.” Tell me more about these techniques and some overlooked or invisible challenges of GIS accessibility.
A: Two come to mind: First, the most obvious invisible challenge is missing data. Missing data is also not sexy because it can’t be mapped, easily. Feminist geography talks a lot about missing data; missing historical records don’t mean that women did not make significant contributions, it just means those contributions were not documented. That holds true today. We make a lot of assumptions, and map things based on social media platforms dominated by specific demographic groups. We have interpolation methods for physical geography — could similar interpolation methods be generated for social geography too?
Second, right now, arguably we all have access to the tools required to make maps in our back pockets. It is just not always obvious how to make them, or why we should make them. Maybe more people would be interested in using another accessible form of technology if it were more clear how they could be useful for communication purposes.
Q: You’ve also explored the potential of drones to be used in participatory action research and citizen science, which sounds super cool. What did you find?
A: Drones are a great example of how increasingly accessible technologies can be used for good, but in ways that are not immediately obvious. Let’s say you take an aerial image of your property every day for one year. Suddenly, the foundation of your house is being eroded away by a new stream that has formed on your property after a heavy rain. You could use a drone to fly during a non-flood event and a flood event to show the difference. If you did this at regular intervals, patterns may emerge. This could be used for legal purposes, or it could be used to learn about your property, or to communicate to a neighbor that they caused this problem because when you looked upstream, you might find land use changes on their property caused flooding in your yard…and that sparks privacy concerns.
I found that the use of drones raises a lot of red flags from a number of different directions. First, legal constraints. Drones are so new — the laws about flying change all the time, and vary between places. Doing research and writing and teaching take a lot of time and energy and to add to that, navigating the legal system was too much. Additionally, I was trying to show how drones could be used for participatory mapping. I got a lot of pushback saying that drones are evil surveillance war machines, and can’t be used for good. GPS was funded, developed and launched by the military, and now we use it to find the closest restaurant or hospital — is that evil?
I am inspired and encouraged by the success of Laura Grace Chipley’s work with the use of participatory use of drones with the Appalachian Mountaintop Patrol (http://lauragracechipley.com/amp). I hope to prove how drones can be used for counter-mapping and advocacy efforts rather than for hegemonic purposes they are known for.
I once had a great conversation with a communications professor about how a simple camera angle pivot on a drone can completely shift the mood of that image. When the camera angle of nadir is 90 degrees – straight down, the aerial photo looks militaristic and utilitarian, whereas with an aerial camera at an angle of 50-60 degrees, it more likely evoke an emotional response of wonderment, beauty and splendor. This technique is used in cinematography. An aerial video to convey the landscape of the environment in which a story takes place is called a phantom ride.
Q: Do you identify as a geohipster? A geosister? Why or why not — and should it even be a binary distinction?
A: You know, I had a traditional GIS analyst job out of undergrad which makes me identify with #GISTribe (also I have been using ArcGIS Pro a lot lately) and then taught myself tools that might be considered part of the geohipster toolbelt. I think the binary is not helpful. A tool or solution should be made to answer a specific question or to meet a communication goal — how it is made is important in terms of meeting the goal, not to adhere to a certain tribe’s constraints. Solutions are often based on what is in the toolbelt.
Q: What’s your favourite mom joke?
A: What does a baby computer call her father? Answer: Data
From the movie HER, such a great movie.
Q: Do you have a favourite map?
A: Wow, this is hard, I do love historic maps. I also really love the hand-painted watercolor maps by @turnofthecenturies (on instagram) wooden laser cut maps. I particularly like the 3D bathymetry maps (http://www.3dwoodmaps.com/). Of course, I love NYTimes maps.
Q: Is there, like, an open source GPS tracker and wayfinding app for lost students to position themselves in their research and find an ideal route through school? Or to find a job afterwards? Or do you have any words of wisdom to share with them (me)?
A: Relax and enjoy the process. I continually reflect on feeling this way during my masters degree, particularly when working with masters students I am mentoring. I was really uncomfortable with this feeling of uncertainty about how to navigate through a masters degree, and then the PhD thereafter. There is no one way to make a map, there is no one way to complete a research project. You just have to document the process and justify your decisions. No one can do it for you, you just have to trust your academic advisors, and if you don’t trust them, trust your gut and get a new advisor. During your masters degree, you learn the research process, which is always messy and though the end is not always in sight, you just have to keep moving forward. A masters degree is like a 10k race while a PhD is a marathon in mountainous terrain.
Q: Any other thoughts to share with the rest of the hipster- and sisterhood?
A: More of a note to self: Be careful to not villainize men. Do not mimic them either. Let’s just all try to be confident without being dicks. What do our maps communicate? Think about who the data is representing, and who is missing.
A: What’s up! I’m Chris, and I’ve been making maps and tinkering with GIS for over 19 years in the GIS Department at a Regional Planning Commission in the City of Brotherly Love (Philly, Philly!). I spend most of my days focusing on all aspects of geospatial technology, cartography, spatial thinking, and hacking away at web maps. I’m a huge ice hockey and coffee enthusiast, which helps fuel that passion to learn and improve my cartography and web mapping skills. Since 2012, I’ve been an adjunct professor at Rowan University, in Southern New Jersey, teaching young minds about GIS, the mystifying transformations of map projections, and cartographic design.
Q: Tell us the story behind your map (what inspired you to make it, what did you learn while making it, or any other aspects of the map or its creation you would like people to know).
A: This map allowed me to combine my passion and love for ice hockey with that of cartography. I was inspired by the amazing work, map design, and GIS tools that carto-wizards John Nelson, Ken Fields, and Johan Adkins have been sharing with us lately. John’s series on Air Mile Index gave me the initial idea that I wanted to map how far each NHL team travels throughout the season. I wanted to determine if there was a correlation between performance (wins) and how much travel affects the players throughout the season. I was able to find the 2017-2018 NHL Travel Super Schedule in a user-friendly spreadsheet listing all the games for the season. Next, I added the Latitudes and Longitudes for all of the “Home” game teams, and included a sequence/order so that I could generate an Origin/Destination pairing between games. Once I had the data prepared, I utilized ArcMap’s XY-to-Line Tool to generate the paths. I wanted to learn more about the layout tools and capabilities in ArcGIS Pro, so I decided that I would make this map within that platform. Before diving into this project, my ArcGIS Pro skills were limited, but through this process I was able to learn, fail, try again, and have fun while doing it.
Q: Tell us about the tools, data, etc., you used to make the map.
A: Shapefiles, Shapefiles, and more Shapefiles. This map was made using ArcGIS Pro with a little data creation assistance from ArcMap. The symbology and transparency tools in ArcGIS Pro are incredibly exciting to work with, making map creation fun. I used Adobe Illustrator to create the Old School hockey mask to add that extra flair. Initially I needed to create a point shapefile, then I used the hockey mask as a marker symbol layer in Pro to allow me to adjust its transparency so that it faded into the basemap.
A: I live in deepest rural Northumberland, close to the England-Scotland border. I studied Middle Irish at university (coincidentally becoming friends there with Richard Fairhurst of OpenStreetMap fame), and then started work as a printer (not a successful one). I worked as a web designer in the days of version 3 of both Internet Explorer and Netscape Navigator, and then a web developer in the days of classic ASP, before .NET was invented. I’ve been in the public sector for over fifteen years now, most of them at Northumberland National Park, working on networking and open-source telephony, among many other things. We made the switch from MapInfo to QGIS many years ago now, and have never looked back. I got involved with QGIS when I started to help out with the plugin qgis2leaf by Riccardo Klinger. Since then, I created qgis2web, which I still develop and maintain. I try to help out with QGIS and OSGeo events in the UK, and co-chaired FOSS4GUK 2018 with James Milner. Please come along to FOSS4GUK 2019 in Edinburgh this autumn!
Q: Tell us the story behind your map (what inspired you to make it, what did you learn while making it, or any other aspects of the map or its creation you would like people to know)
A: In 2018, our local council proposed the closure of our local first school. Our daughter was in her last year at this amazing place, so we resisted. I thought that some striking maps might help our case, so I made one map of the proposed increase in journey-to-school time (below), and a second map of the signatories to the petition to save the school. The signatories map is the February 2019 GeoHipster map:
Q: Tell us about the tools, data, etc., you used to make the map.
A: The map was built almost entirely in QGIS. I used GIMP to add the tilt-shift blur, and because of this blur, I had to use GIMP for the text as well. The data was scant to the point of naivety, being simply the postcodes of around 400 petition signatories. The idea behind the map was to try to use this scant data in an emotive way, in what was an emotive argument. Visual appeal was of greater importance than spatial analysis, which is just as well, since I’m no spatial analyst. The scant data and the intent to grab attention led to my using the height of the styled points to denote not number of signatories, but proximity to the school. My hope was that this visualized how highly localized the support for the school was, a fact not immediately apparent from the raw data. Technically, the overriding technique and principle behind the map is the separation of data from style. No processing at all was done on the data, which was a necessity because I was designing the map while the petition was still gathering signatures, so the data was changing all the time. All the heavy lifting is done by QGIS geometry generators, creating squares around the points, rotating and skewing them into faux perspective, and then extruding them into 2.5D symbols. I had a huge amount of help from the Twitter carto community, without which I simply could not have built the map. I wrote about both maps in much greater detail on my website: tom.chadw.in/wrote/MappingEmotion. The school was saved from closure, but further unwanted changes to our rural schools are ongoing, and the fight continues. Who knows whether this map had any effect on the Council, but it did result in a very old friend describing it as the “worst game of Risk ever”.
Harel Dan is a GIS and Remote Sensing analyst based in Israel, and the GIS Coordinator at HaMaarag - Israel's National Nature Assessment Program. Twitter / Website
Q: You’re the GIS Coordinator at HaMaarag, Israel’s National Nature Assessment Program. What is HaMaarag, and how does GIS factor into the program?
A: HaMaarag is a consortium of organizations that manage open landscapes, that was set up to provide evidence-based knowledge to managers and decision makers. We run several long-term projects that take place all over the country, in varying biomes and their ecotones, from evergreen Sclerophyllous woodlands to hyper-arid shrubs, monitoring several classes like Mammals, Birds, Reptiles, as well as vegetation. As such, the entire process of planning out, sampling and analysing the data is dependent on locations. Be it precise measurement of monitoring plot corner pegs with GPS, or creating spatially-balanced sampling methods. My job also entails collecting and processing spatial data from other organizations, with their peculiarities and errors.
Q: You do a mix of technical work, coordination with other agencies, and field work. That sounds like an interesting mix – could you describe a typical day in the life?
A: 6:00 AM, Phone rings, ornithologist on the line, asks me to explain to him how to load the background layer to the Fulcrum monitoring app. 8:30 AM, Log on computer, answer email from chief scientist of the nature and parks authority. 10:00 AM, Run the script that scrapes data from that website. 11:45 AM, Finish that map and send it to graphic design. 13:37 PM, Coffee. 14:03 PM, Back in office after wandering around the labs in the Steinhardt Museum of Natural History, where our offices are. 15:00 PM, Finish a call with the Open Landscapes head at ministry of environmental protection. 16:00 PM, Send drone orthos segmentation results to the botanist for assessment. 17:30 PM, Put kids to sleep. 19:00 PM, Goof around on whatever personal project distracts me these days.
Q: Based on your Twitter account and website, it seems you also take on a good amount of personal projects. What do you look for in a personal project? Any favorites you’d be willing to share?
A: My personal projects are a mix of disciplines and topics that on the one hand interest me, and on the other can be used as an excuse or reason to delve into something new; a concept, a programming language, a tool, etc. Furthermore, as a Geographer, I think I can bridge the gap between the analytical aspect and the human story it tells. For instance, over the summer I’ve made and published a constantly-updated map of fire damage in the south. I saw that there was a lack of connection between news reports and the scale of the damage that was creating misconceptions and lack of understanding. So telling this story was a chance to try out new internet tools to help streamline the work and be easy to read and comprehend for the general public.
Q: What inspired you to publish your analysis of SAR data to identify military radars? Were you nervous at all about the sensitivity of the subject matter?
A: I was intrigued by a peculiar image artifact when I was trying to incorporate Sentinel-1 data in my landcover classification mapping, which happened to appear mostly over broad-leaves and coniferous forests. After tweaking a Google Earth Engine script I’ve noticed that these artifacts converged over a single constant source, so I’ve figured out what these were. After a year or so of hesitance, asking around what should be the preferred action, and actually getting in touch with the Army, I had a job interview for a company that does SAR analysis, so I knew this would be a perfect time to publish the story. So with a tongue-in-cheek image alluding to some issues publicising the location of the radars in my country (It was a PNG image I made in MS Paint that read [REDACTED], you won’t believe how many people over-analysed this), I posted my findings on social media.
I got the job btw, but declined to take it as the conditions weren’t manageable from my perspective.
Q: You’ve successfully had your work featured in multiple publications. What advice do you have for other geohipsters out there looking to get more exposure?
A: Hustle. Made something interesting? Think you’re onto something? Post it on social media. If your career is not dependent on the number of publications in peer-reviewed journals, there’s no reason not to share your work and ideas with the geo community, no matter how half-baked they are.
Q: What do you do in your spare time? Any hobbies?
A: I have a garden with some fruit trees that I tend to when it’s not too hot, but other than that, I’m wholly immersed in being a full time parent to two small kids. Whatever spare time I have, it’s used to wind down and relax with techie reading material, or go on twitter and see what others are up to and engage in the war on Shapefile and banter on that other GIS software.
Q: Are you a geohipster? Why or why not?
A: I tick about a dozen or so results in the GeoHipster poll tally, so I guess I’m on the geohipster spectrum, even though I never got into the laptop stickers and pin badges fad. Besides, the backside of my laptop screen has velcro strips which I use to firmly attach dongles, chargers and an external drive full of hoarded geodata to reduce desktop clutter, this way I have room to place old printed atlases, a working sextante, PostGIS cheatsheet… OY MY GOD I’ve just realised I’m a geohipster.
Q: Any final words of wisdom for our global readership?
A: Don’t use Twitter’s Bing-based translation tool, it’s horrendous.
A: I’m Ken, I’m a bit of a cartonerd. For the last 8 years I’ve allowed Esri to pay me to work for them. Technically I’m a ‘Senior Software Product Engineer’ but more informally I make maps, write about maps, talk about maps, teach about making maps and generally make myself a nuisance wherever there’s an opinion to be shared about, you guessed it, maps. Prior to working for the California-based Geogoliathon I spent around 20 years as an academic in UK universities teaching cartography, GIS, and geography. I’ve recently had a book published called (wait for it) Cartography. And developed a free Massive Open Online Course (#cartoMOOC) on the same subject which we’ve taught to 70,000 people and counting. My passion and profession align in my geo-lifestyle. I blog at cartonerd, and the ICA Commission on Map Design, and tweet @kennethfield. I play the drums (badly), like riding my snowboard in the mountains (with map-themed helmet, goggles and jacket of course), and for my sins I am an avid supporter of Nottingham Forest FC.
Q: Tell us the story behind your map (what inspired you to make it, what did you learn while making it, or any other aspects of the map or its creation you would like people to know).
A: I’m always looking for interesting mapping themes. Normally these would involve the search for digital data that has to be persuaded and cajoled into some sort of map. I like to show people how to make great maps, sometimes just solid techniques done well, other times something a bit weird and wonderful to push the envelope, break a few rules and get creative. But I also like to use different mediums for making a map whether using Lego, pen and ink or…cheese. And these sort of maps are the ones that tend to stick in the memory because they’re different. They don’t conform. I was inspired by a map of English biscuits made by Chris Wesson a couple of years ago. It was a map of the UK with pictures of all sorts of tasty biscuits, where they were from and a little of their history. It was a great map but I couldn’t help think Chris might have actually made a large map as some sort of tablecloth and put real biscuits on top. And that’s when I thought of taking the basic idea and applying the concept to the UK cheese. Cartography is often about stealing ideas and then fashioning something new or interesting out of them and, so, I set about thinking through the map. It was an obvious approach really – I’d need a cheese board. I’d need it in the shape of the UK. And on top I’d place a selection of fine, rare, important or bizarre cheese. I’d take a picture and then people will eat the map…and the map would disappear. It’d be a one-time edible map. I researched the history of UK cheese production. I sought to identify a good geographical mix and from a list of around 400 cheeses I whittled it down to around 30 which would fit on a map.
Q: Tell us about the tools, data, etc., you used to make the map.
A: The map was fairly simple in design – just ceremonial counties of the UK. I made it in ArcGIS Pro and exported it as an svg file. By now I’d realised that I didn’t have the tools or experience to whittle the wood myself. I found a great craftsman called Andrew Abbott who had a CNC router and laser engraver. He took my design and made the map out of laminated blocks of Maple. We discussed all sorts of design aspects. He advised on what would work typographically at the scale of the final board. I was also planning on making the Isle of Man into a hole in the board but he suggested bits of cheese would simply fall through and get stuck…so I adapted the design accordingly. I also needed to do some really hefty generalisation on the coastline and internal boundaries so the laser engraver would work well – there simply wasn’t the space for overly complicated linework. It was a really good process to work together to ensure the design would work in the medium he was crafting.
I ended up with a cheese board around a metre tall and nearly as wide. Space for around 30-40 pieces of cheese. Sourcing the cheese wasn’t as simple as nipping to the local supermarket. The selection simply isn’t broad enough and some of the hard to get cheeses had to be sourced from niche artisanal suppliers. Some cheese was out of production (being seasonal), some impossible to source and some just not available in a quantity that would work. I eventually used a series of suppliers, had the cheese sent to my brother’s house in the UK as close to its eventual use as possible. I boarded a flight to the UK with my cheese board well packaged as excess baggage. It arrived in the UK undamaged. My brother drove the cheese to London from his home in Lincolnshire the day before it was to be displayed and I got the board and cheese across London to the Geovation hub one evening in September 2018 to display at the #geomob event. Cheese unwrapped, positioned according to a geographical list I’d prepared to ensure I didn’t make a mess of locating each piece, added a few labels and some context and sat back to watch a hungry crowd devour it. I wrote up a more extensive blog about the map here and there’s a bit on the GeoHipster blog here.
What next? Well, I quite like craft beer and there’s definitely geo in that. And someone suggested whiskey, except I can’t stand the stuff. Never have been able to drink it after a very unfortunate incident in my younger days. That’s another story entirely.
Michael came to the Geo-field accidentally, burned brightly across the early GIS skies, relished being a small fish in a small pond, fought hard to keep the mystic arts secret from the unwashed masses, was an unapologetic ESRIalite, and then experienced a conversion to the “GIS is just a tool” doctrine, and now looks at any single-solution disciple with disdain...or at least a heavy dose of skepticism.
Michael’s only dedicated online presence is an embarrassingly sporadic blog...about climbing, and other pedestrian adventures.
A: Completely by mistake. Two years of pursuing Civil Engineering was abandoned, in a fit of frustration…while suffering through Differential Equations with Linear Algebra (DiffEQ for short), for the more “squishy” liberal arts degree in Geography. It appealed to my love of history, culture, and…of course, maps. I figured I would end up teaching. But, in my senior year at University of New Hampshire, I joined my housemates (all geography/geology students) in an on-campus work-study opportunity. We were all using workstation (I believe it was 5.0) ArcInfo to digitize South American deforestation. I blame two years of squinting at black and white LandSAT photos through a digitizing puck crosshair for my currently degraded eyesight.
Q: You and I worked together over 20 years ago. Do you miss GIS in the 1990s? ArcView, shapefiles, coverages…
A: 20 years ago? Those were good times. Yes…and no. I don’t necessarily miss the technology. I actually loathed ArcView when it first appeared on the scene. And…ArcCAD? PC ArcInfo? Ugh! What I do miss was the “newness” of the field at that time. We were kinda rockstars….at least in our own nerdy minds.
Q: Do you miss New Jersey?
A: Again…yes and no. I don’t miss the Garden State as much as I miss friends and family that still reside there. When I moved to Oregon in 2011, my new boss nicknamed me “Jersey.” After a while, I stopped fighting it, and just embraced the moniker.
Q: Your name is on the 1999 Digital Parcel Mapping Handbook published by URISA and the NJ State Mapping Advisory Committee. Are you still involved with digital parcel mapping? Has the methodology changed in the last 20 years?
A: That thing is still around?!?!? Maybe that’s a sign that parcel mapping HASN’T changed as much as I would have thought. I’m not involved in parcel mapping anymore. I did work for a while at Oregon Department of Revenue, in their Property Tax Mapping section. Similar work, but a lot more concerned with utilizing property survey source data to construct the tax parcels. I would hazard a guess that the basic premise is still the same, just a lot more snazzy tools available to the practitioner.
Q: Tell us about your current job. What do you do at work?
A: Five months ago I accepted a position with Oregon Department of Transportation. For the first time in over 20 years, I am doing something that is not directly connected to GIS. I am a “hybrid” Project Manager and System Analyst with Transportation Application Development (TAD). Our particular team supports the Intelligent Transportation System (ITS) business within ODOT. It was a huge leap for me to leave my GIS comfort zone, but I believe it was time for me to grow, expand, and be challenged.
Q: I know you use QGIS. Exclusively or not? What other tools do you use on a daily basis?
A: Now that I don’t have access to ArcGIS at work…yes, I’m striving to learn the ins-and-outs of QGIS. It’s purely for personal use. I have a pretty extensive collection of local hiking trail data that I’ve collected with GPS, and am undertaking to port that data from the personal geodatabase that it’s stored in to something more useable with QGIS.
Q: How does QGIS fit in within the mission of your organization?
A: Within ODOT? It doesn’t. ODOT’s GIS shop falls squarely in the Esri camp.
Q: Where do you stand in the data formats wars? Team Shapefile or Team Geopackage?
A: I always disliked shapefiles. They never felt “stable” or precise enough for my tastes. My desire for data integrity was more satisfied by the geodatabase…ESPECIALLY when it came to enforcing topology rules. As a QGIS novice, I felt like I was having to take a step back, and settle for shapefiles. So, when I “discovered” the geopackage option, I was an immediate convert. Time will tell if I actually chose the “BetaMax” (or not) of GIS data formats.
Q: You commute on an antique store bike. This is super hip. Geared or fixie? Tell us all about that.
A: I would dispute the antique label. My current bike (a 1996 Univega Rover 304) is neither “belonging to ancient times” nor is it “of high value because of its considerable age.” I picked it up for $35. Because of its LACK of monetary value, I am much less fearful of it getting stolen and I’m much less hesitant to experiment with performing repairs on it myself. It’s geared. I’ll tell you a secret, but you have to promise not to tell anyone. I don’t even KNOW what a fixie is. Single speed? That doesn’t make sense to me. Maybe I should look into it someday.
Q: Do you have any other hipster attributes we should know about?
A: Portland is where all the hipsters reside. I don’t have the time to compete with that scene. Salem has some occasional glimmers of hipster, but my theory is that Salemites maintain a perverse sense of pride in not buying into the pressure of competing with the Portland scene. Salem’s response to “Keep Portland Weird” is “Keep Salem Lame”. Not to get overly philosophical about it, but I think if you are TRYING to be a hipster…you’re doomed to failure. Reminds me of the late 80s when a lot of my brother’s friends thought “being punk” consisted solely of spiking their hair and wearing a lot of studded leather. Hipster or punk. It’s an individual state of mind, not a fashion statement. Here ends the lesson.
Q: What do you do for fun?
A: 2009 through 2012 was a particularly turbulent time in my life. Moving cross-country away from friends, family (especially my kids) was the hardest decision I ever had to make. The only thing that kept me sane and grounded was getting out into the wilderness to hike, backpack…and eventually climb. Check out my sporadic personal blog for an essay regarding “Why I Climb” (https://mikestracks.wordpress.com/2013/11/26/why-i-climb/) if you are so inclined (no pun intended). Coincidentally, the essay had its genesis in an innocent comment by this blog’s very own founder (thanks AE). My life has much less personal drama now, but the love of the outdoors remains. It is still a healing and rejuvenating activity for me. I’ve seen and done things that I previously thought weren’t possible for “normal people” like me. Besides this new-found adventurous side of me, I can totally “geek-out” with a group of friends playing tabletop board games or role-playing games. I have a lazy indulgent side also. On a warm, dry, summer Oregon day, nothing beats sitting on a winery’s veranda, overlooking the vineyards, sharing a bottle (or two) of local wine with someone special.
Q: On closing, any words of wisdom for our global readership?
A: “The place where you lose the trail is not necessarily the place where it ends.” –Tom Brown, Jr.
A: I always thought I was going to be a scientist and had a brief stint as researcher and field biologist. Then I decided I liked communicating science to the public more, and worked as an interpretive park ranger and zoo education specialist. And then I discovered GIS and the rest was history. With GIS, I found a tool that combined my technical side with my eye for design and an opportunity to communicate complex subjects in new and innovative ways.
A recent master’s graduate from the University of Michigan, I now work as a GIS consultant for an environmental consulting firm in Michigan and I couldn’t be happier. Say hi to @pokateo_ on Twitter (that’s po-kate-o like potato. Get it? I like potatoes)! Or mosey over to my website at https://kateberg.github.io/ to learn more about my journey.
Q: Tell us the story behind your map (what inspired you to make it, what did you learn while making it, or any other aspects of the map or its creation you would like people to know).
Q: Tell us about the tools, data, etc., you used to make the map.
A: I worked in ArcGIS Pro. I used my cubic tessellations I created for another project (also inspired by John Nelson. This time his Electo-Cubo-Grams) as the base (that was a whole other challenge; trying to fit all the states into a general US shape was quite difficult). With my base layers from that project, each state had its own point. Then, I uploaded the face PNGs as the point symbology for each state and went from there.
I was really excited by how it was shaping up, but I shared it with a couple of friends and they weren’t too keen on it. They said it [was] actually quite frightening:
I noticed that the overall pattern of states’ well-being changed depending on the component (e.g. purpose, social, financial), so I wanted to find a way to include those patterns, without making the map look extra complicated (or creepy as it were). I found using the colored circles on the right to be a great way to provide a quick glance of the interesting patterns! Overall, I think the final result came out pretty neat and I’m very proud of it being selected for the GeoHipster Calendar! You can read more at: https://kateberg.github.io/portfolio/wellbeing.html
Courtney is a product manager at the Canadian Digital Service. Before joining the public service, she worked at Esri building products to connect local governments and their communities using open data. She has a BA in Urban Systems and GIS from McGill University. She lives in Ottawa and is moderately active on Twitter.
A: Growing up I was enamoured with big cities (living in the suburbs where they’re just out of reach will do that) and was glued to the computer (see: suburbs). I took an elective geography class in high school because it had an urban geo unit, and that’s where I learned about GIS. We used ArcView 3. I remember creating shapefiles of the neighbouring plaza’s building footprints and mapping the GPS points of garbage. I loved the mix of art and science that GIS brought — the data collection, analysis, and communicating information in a clear and appealing way. It was a way I got to flex whatever creativity or eye for design I had while being rooted in science, which was typically more of my strong suit. I also got to be on the computer, so, bonus! My first GIS map is still kicking around in my dad’s basement somewhere. It’s not The Garbage Map, but it is definitely a garbage map.
I was amped to learn more in university and dive deeper into urban applications of GIS. I wanted to be a transportation planner but got wooed by the open government data movement that was taking off, and that set my course.
Q: You currently work for the Canadian Digital Service. What is the mission of the Service, and what do you personally do there?
A: The Canadian Digital Service uses digital skills and knowledge to make it easier for people to access and use government services. We partner with other federal departments and work to improve the services they provide Canadians, and while doing so we’re sharing with our colleagues a different way of working in government – a way that’s open, interdisciplinary, and puts the user first. We’re trying to make everyone’s day a little bit easier.
I’m a product manager, so I work on a delivery team of designers, researchers, and developers, and engage with partners across government to make sure the right thing gets built at the right time. It’s a lot of different hats.
A: Yeah! The team really is fantastic. I think it’s incredibly important that we stay humble in the kind of work we do, especially when we’re the new kids in town and we’re working with public servants that have been doing this hard work for years. We’re not sweeping into departments and shaking them up, but aiming to empower folks who have been moving to work in a more modern way all along. I feel incredibly supported as an individual working at CDS, but I don’t feel like it’s really about us in the end. I’d encourage anyone who wants to tackle some big issues for the greater good to apply–we’re looking for roles across the organisation and you don’t need to be Canadian.
Q: Prior to your current position you worked at Esri DC, where you focused on ArcGIS Open Data. Was that big / open geodata, or just data?
A: It was just data. ArcGIS Hub (née Open Data) supports both spatial and non-spatial data, though of course the majority of datasets people published were spatial — raster or vector. I think that’s mostly of a function of it being Esri but also that the majority of data out there has a spatial component.
Q: Is spatial still special?
A: I’m not sure spatial is inherently special, but local gov GIS teams are incredibly well equipped to spearhead a city’s open data strategy and open data services. They hold a ton of data, and we’ve seen more GIS folk use their data to tell stories and share information rather than simply sharing shapefiles — they’ve moved beyond reaching only the civic hacker or data journalist. Your average person on the street doesn’t care what a shapefile is. Lots of people just want to know if they’re buying a home in a safe area and to make sure their kid can walk to school without a high chance of getting run over. Having those kinds of geo-infomediaries that put insights beside data empowers more users to make decisions and insights of their own.
Over my four years at Esri we saw incredible information resources emerge from what started as simple open data sites. Some of Esri’s users went from being GIS analysts at their local government to being the city’s Chief Data Officer, others have developed partnerships with Waze, others are engaging with schools and showing students the value of open data. GIS shops can really open the door to greater public uses and applications of information beyond just sharing data.
Q: Tell us about life after Esri.
A: Life after Esri was tough at first. Leaving Esri was tough. It took a long time to feel comfortable and productive at my first long-term job out of university, which I imagine a lot of young women in tech can relate to. I had established relationships, a community of practice, and a reputation, and then I took a leap and moved to a new city to start a new job in a new field where I didn’t have any of that. So it was a bit of a lonely reset. The first few months were challenging and scary and uncomfortable, but I need to feel challenged and scared and uncomfortable in order to grow, and I don’t regret it. Plus my rent is cheaper.
I miss geography, GIS, and DC’s incredible geo community. Twitter provides me an endless stream of geo FOMO.
Q: What drove you to come work in the US? What drove you to return to Canada?
A: Both times were for jobs; I’m very lucky I could pick up and move like that. I attended the 2014 OpenStreetMap conference in DC and met people from Esri which led to the move south of the border. It was the best thing I could have done at the time and I didn’t think twice about it.
During my time in DC I was introduced to 18F and the United States Digital Service, and then gradually followed Canada’s growth into digital government — Code for Canada forming, the province of Ontario hiring a Chief Digital Officer and creating the Ontario Digital Service, and then the Canadian Digital Service being born. I wanted a closer look at how government works and it’s an exciting time to work in digital government in Canada. It’s also great to be back closer to my family and to have real winters again.
Q: PBR features regularly in your Instagram feed. Also bikes. Any other hipster attributes we should know about?
A: Ha! Damn, outed. In my defense, PBR is a fine dock beer and we recently got out of dock season here in Ontario. Back in DC my pal Max hosts an annual hipster triathlon: swim 20 laps of a public pool, run around a track for a while, then bike to a brewery wearing funny clothes. I loved it. Other than that, I don’t think about what it means to be a hipster or what hipster attributes are. Maybe that makes me one. Whatever.
Q: Canadians are nice and generous. What else are they?
A: I struggle a bit with defining Canadian identity because It’s filled with so many different types of people from different geographies. I think Canadians have a witty, satirical, sometimes dark sense of humour. We are incredibly diplomatic and while polite, our politeness is often just a way to mitigate our fear of confrontation, and sometimes that turns into passive aggression. We have great musicians that we’re fiercely defensive of. We get excited when anything Canadian appears in American pop culture and we take the jokes in stride. We have parental leave!
We also have our fair share of hate crimes and racist harassment, a version of Breitbart, a history of Indigenous genocide that still carries through to today, and a white nationalist running for mayor of the largest city in Canada. That’s harsh, but I feel Canada is frequently cast in this utopian light where the only news is a deer strolling in a Tim Hortons drive-thru. It’s a mix of good and bad. It’s like any place.
I often pass this book in the window of a local bookstore, and I think it sums it up:
Q: Are you a geohipster? Why / why not?
A: I’ll hang onto whatever variation of geographer identity I can get nowadays.
Q: On closing, any words of wisdom for our readers?
A: If you’re wavering about moving to a new place where you don’t know anyone, just go for it, especially if you’re young. As my new coworker Lyn says, what’s the better story when you’re eighty?
Also, here is my favourite song that features map projections:
*The irony of this video not working in Canada is not lost on me.
True to the hipster theme, Adam is a consultant-at-large on open source spatial systems and problem solving. He’s a real doctor in the academic sense, and has a truly multidisciplinary outlook on geospatial and web technology, as seen through the lens of developing human capacity to evolve and create a better world as we work out our existence in the one we have.With a CV covering field research on sea ice, infrastructure-scale data services, professional bicycle repair, and cat herding on wilderness walking trips, he’s a stander-upon-the-shoulders-of-giants, and definitely thinks way too hard about society, human evolution, infrastructure-scale technology, geospatial magicking, and penguins.
Adam was interviewed for GeoHipster by Alex Leith.
Q: First off the bat, you recently attended FOSS4G in Dar es Salaam. What did you think?
A: I’ve been sitting on a blog post about it for a month. It’s been super hard to wrap up because it’s Africa + FOSS4G rolled into one. This FOSS4G really impressed on me more than anything how open source geospatial software, open data, and the communities around it can make real, on-ground change in the world. I’d never been to Africa before, and really was swept away by the experience. I made a point of travelling by foot as much as possible, trying to see the rhythm of the city, and how it works – what happens outside the western tourist cocoon (as much as that is possible). I drank a bunch of coconuts, and wished I could speak Swahili. I saw a lot of excellent technical talks. Some I didn’t expect to see, some on my ‘must-see list’. There was also a huge amount of discussion on the human and community aspects of our geospatial world. I listened to many stories, and came home with a soul full of hope about the future. However, to realise that future I’ll quote Mark Iliffe: “It’ll take all our resources, and all our privilege”. That’s an undisguised call – especially to people like me who really have very few barriers to overcome – to listen, reflect, and act. See the barriers other people face, and use our privilege to help tear them down. What sticks in my mind most from this iteration of FOSS4G was a real focus on overcoming challenges. Getting over 100 people to a conference via travel grants. Wow! Running a 1,000 person event in Africa. Wow! Walking the streets of Dar Es Salaam every day for a week. Wow!
Q: How was Zanzibar?
A: Personally, I’d intended Zanzibar to be a full switch off. Maybe at most walking to a beach every day or something. Instead, I offered space in an AirBnB I’d booked to some of the OpenDroneMap team, and ended up in a whirlwind. Still, it was inspirational. Having just finished a big conference, I did have some time to absorb and reflect on the conference in the context of Africa. One thing which struck me was the extreme inequality of life there. Literally next door to each other were 5 star tourist resorts and locals in basic homes cooking over fire. Another was how well society appears to function in chaos. Australia seems really rigid and afraid by comparison. I also appreciated the ‘on ground’ experience of the OpenDroneMap team, in particular Stephen Mather (a Zanzibar regular). It inspired an idea about how the geospatial community can be similar. We’re all trying to make progress, but like Zanzibar, there can be myriad and strange labyrinths to navigate. A friendly guide can go a long way.
Q: You live and work in our nation’s capital Canberra, what’s that like?
A: It’s awful, don’t come here. It’s seriously unaffordable. …actually it’s one of two cities in Australia I’d live in, the other being Hobart. Canberra’s most famous attribute is that it’s two hours from everything – the sea, the snow… and actually about 45 minutes from splitter cracks and heinous slabs on chunky granite if that’s your thing. It’s sometimes my thing. Its secret attribute is that in most suburbs, you can be in relatively uncurated bushland in about ten minutes on foot. As a full time cycle commuter, I also like that I can pick a bunch of routes through forests and parks, instead of battling cars. Unfortunately, like many places, Canberra is losing its urban wilderness in favour of cookie cutter housing estates.
Q: Your job involves doing a lot of work with PDAL. Do you like it?
A: Yes – PDAL is a fantastic toolkit. I really only explore a tiny part of it at the moment; there’s as much I don’t know what to do with it as I do know. It’s a real case of standing on the shoulders of giants. It has its limitations. One of the best things is that Howard Butler and team are very much cognisant of those up front – and provide as many means as possible for others to add new tools in ways which suit them. It’s an honest toolkit, one that doesn’t pretend to be anything other than what it is. One of things that it is, however, is being really useful!.
Q: What’s something interesting we don’t know about LiDAR?
A: All LiDAR instruments quite literally capture a point cloud – a little fuzz around whatever surface is being measured. I did a lot of work tracking down noise in LiDAR measurements, ending with hanging a LiDAR scanner in a lab and scanning a concrete floor for a few hours. Did we get a flat scan? No. We could fit a flat regression line to the data with high confidence, but the points themselves sat inside a neat biconcave envelope described by a function of range, scan angle and angular encoder uncertainty. The shape of this envelope is different for different instrument styles – line scanners, circular/ellipse pattern scanners, solid-state beams – but the fuzz is common to all LiDAR instruments and measurements.
Q: Does working with point clouds make you look down on the 2.5-D nature of regular GIS?
A: Not at all. In fact I barely understand a lot of ‘regular GIS’ things. My geo-training started with a lot of concern about minutiae – getting data right for an incredibly specific task (sea ice research); so in ‘standard GIS’ domains I’m still almost completely lost. I get there, with a lot of help from friends. And so much can still be done with good old 2D/2.5D analysis! I still like to push toward a 4, or 5D world – we can capture reality in 3D; capture time plus space, then time plus space plus insight – what we glean from analysing the world in space and time. We humans do this all the time, in fact, you’re doing it right now reading this – we really exist in at least 5D…
Q: Shapefile or GeoPackage?
A: GeoPackage! Although to be honest, I’d be hard pressed to have a proper discussion about why. Although – I can store a neat little SQLite database in there with points, or data boundaries… plus metadata… and it’s nicely self contained.
Q: You did an undergraduate in Neurobiology, Honours in Antarctic studies, and a PhD in Surveying. Why?!
A: The glib answer is why not? The true story is this (grab a beverage and a seat..): I actually applied to art school as a fresh out of high school kiddo – and didn’t get in. I hated school and did the bare minimum to pass. So my creative work really wasn’t up to scratch. Finding jobs was hard in the early 1990s, but I did OK at science and based on that, found employment as an assistant in a neurophysiology research lab. Mixing chemicals, making electrodes, anaesthetising sheep, slicing up brains and mounting slides. A couple years in, I figured it was university time – and naturally started a brand new degree program on cognitive science. This morphed into psychology/neurophysiology because I failed uni level maths (little did I know… I ended up doing two more years of solid stats… same same). A final year elective in Medical Anthropology made me question everything. So I quit, went to work as a teaching aide in a technical college, then picked up a job as a web developer based on a side job I’d had making websites back in the late 1990s. Fast forward a few years – career change time again. I applied for an honours year (4th undergrad year/masters year) multidisciplinary program in Antarctic science, got in, moved to Hobart, and went through an intense ‘in the deep end’ education in Antarctic physical and ecological systems, logistics and international law. Plus a research thesis on estimating ice floe sizes from airborne imagery.
I went straight to work (a few days after I dumped in the thesis) guiding people on Tasmania’s Overland track for a couple of summers, and being a semi-homeless outdoorsy drifter. In 2007 I was offered a job as a tech officer to support a sea ice research voyage – and abandoned my plans to move to New Zealand and become a mountain guide. I went south three years running – operating an aerial photography program and field validation measurements, progressing to LiDAR flight operations and running a bunch of GPS units until, in 2009, a PhD project was devised. I was awarded a scholarship and I went for it! The project was all about measuring sea ice elevation using airborne LIDAR, then estimating ice thickness based on some empirical modelling from that. I also needed to know the uncertainty of every single point in the point cloud – so a lot of maths (that thing I suck at) ensued. And geodesy. And three years discovering that most of the data we had so far are terrible and designing an experiment to fix that. Finally, in 2012, the plan came to life and we got what we needed to finish the job. In summary, we surveyed moving objects. I deployed the first ever robotic total survey on East Antarctic sea ice, using it to set up a coordinate system that drifted with the ice. And then, used the data to link airborne, on-ice and under-ice observations and create a PhD thesis. I got to ski around sea ice with a surveying prism; and also drilled a lot of holes in the ice. Oddly enough, my best topic at high school was geography – so the circle completes eventually…
A: Oh man. This is absolutely terrifying! And the momentum is huge! So late in 2017 there was a bit of noise in a Slack channel about organising a conference. And fast forward to now it seems to have just happened organically, and hugely. As the sponsorship coordinator my life has been really easy — the sponsors come to us! It’s been great to work with the committee, we disagree quite a lot and I have some really crazy ideas – some of which made it (yay!) – and others which really needed some moderation/re-appraisal. Whatever happens, we always manage to get something done – we all seem really good at compromise where it’s appropriate – and importantly in directions which aim to make a positive change. Which is always the grease that gets stuff moving, right? I’ve learned an awful lot from everyone in the process. We haven’t met all our goals – we wanted a perfect gender balance, we wanted to have much greater representation from indigenous communities, we wanted … the universe on a plate. What we *have* done is tapped into a rich vein – and exceeded our expectations about community interest. We have a fantastic program, and can do our best to make some audacious moves in shaping how this community can evolve as we steam ahead. I’m really looking forward to turning up – and all the buzz that happens to get the final wrinkles ironed out. I really hope we can keep this momentum going, and engage even more of the open geospatial community in our region next year!
A: It’s a call back to my psychology days – we discussed a lot how our environment shapes how we are able to perceive the world. One trip to Antarctica I was watching penguins cross fast ice for a while, and had a lightbulb moment that made me giggle – the parallel between conformist work environments and penguins is obvious. The hilarious part was how penguins solved these seemingly simple problems – and this dawning realisation that humans can fall into those same patterns.
At the end of the day I hope it’s a way to encourage reflection on the rules we make up for ourselves, and have some fun.
Q: Favourite craft beer?
A: Right now, when I order a bespoke beer, I’ll grab a Bent Spoke crankshaft IPA. Or a Velvet Cream Stout from the Wig n Pen. Canberra has a couple of awesome microbreweries, all within cycling distance of course!
Q: What’s #1 on your bucket list?
A: That’s a tough one. To pick on one thing – getting to South America, the last continent I’ve never visited. With my skis and climbing gear. And banging out perfect telemark turns down huge mountains. I’ve only been in airports in Asia, come to think of it.. So there’s #2.
Q: And finally, what about you makes you a geohipster?
A: To tick off some boxes? I telemark ski in the backcountry, ride bikes, climb rocks, have a beard, and have a collection of obscure paper maps… January Makamba, the introductory speaker at FOSS4G 2018 summed it up well: we are a socially conscious community. We want to help create and maintain amazing tools that are well crafted, functional, accessible, and contribute to a world we want to keep living in. The core hipster ethos of care about what we do, and how it impacts our world, definitely resonates with me strongly. Add some geo, and there we are…
A self-confessed ‘cartonerd’ with a personal and professional passion for mapping, Ken gained his BSc in Cartography at Oxford Polytechnic and PhD in GIS at Leicester University and fell into academia. He spent 20 years in key positions in UK universities before moving to sunny California to join Esri in 2011. He has presented and published an awful lot. He blogs, tweets (@kennethfield), is past Editor of The Cartographic Journal (2005–2014), and Chair of the ICA Map Design Commission (2011–2019). He co-founded the Journal of Maps, is on the advisory board of the International Journal of Cartography, is a Fellow of both the British Cartographic Society and Royal Geographic Society, is a Chartered Geographer (GIS), and only the second Honorary Member of the New Zealand Cartographic Society.
Q. Ok, I guess we have to start by clearly laying out your geohipster qualifications. Let’s get into #geocheese, which you revealed at the recent (Sept 2018) #geomob event in London. Tell us about this project.
Oh my, geohipster qualifications eh? I guess I was wearing chunky framed glasses (and the occasional beard) way back before geohipsters even knew that it was a thing. Does that count? I’ve been in the mapping game for around 30 years, longer if you count drawing odd fantasy maps, usually of sci-fi planets, as a kid. I’ve increasingly sought to take mapping beyond the defaults whether that’s in the digital realm or, sometimes, through drawing maps by hand. I got really into the hand-drawn process when I picked up my pencils after a long hiatus during the aftermath of the Trump Presidency victory. I drew a satirical map called Trump’s Ties and found it to be a really cathartic process. There’s much to be said for sketching and ‘doing’ as opposed to just pushing digital data around a screen which is, I think, the modern cartographic coalface for most of us.
So the cheese idea (and I like #geocheese btw) was one of those where I had a eureka moment and decided to make a map of the distribution of British cheese. We have such a strong history of cheese production in the UK and, since moving to California, I reflect on the taste and quality often because it’s so difficult to get good cheese in the USA. The idea came from a map of another British obsession – the humble biscuit mapped by Chris Wesson in 2017. It was a great poster, explaining where the jammy dodger and digestive were from, among a range of other tasty morsels. So why not a map of cheese? You can find a few artsy maps online but I wanted to make the map out of cheese, not just make a map of cheese.
There’s a load of detail over at my blog but I firstly had to design and make a cheese board in the shape of the United Kingdom. This required the design of a map of ceremonial counties and then the use of an exported svg file to drive a CNC router and laser engraver. A lot of craft went into making the board and I couldn’t have done it without the expertise of artisan woodworker Andrew Abbott who helped bring it to life. I’m big on collaboration and if you don’t have the necessary chops then find someone who does. I’m always trying to get map-makers to do the same; to team with cartographers to improve the map; so I followed my own advice and probably prevented personal injury from a variety of dangerous tools as a result.
The cheese to go on the board was whittled down from a large list to around 30 pieces, covering the geography, range of styles, classics and rarities of UK cheese production. I sourced it from half a dozen suppliers and that was that. A bit of logistics to get all the pieces together for the #geomob event (and, by the way, thanks for entertaining my daft idea!) and it was good to go. I was delighted that the cheese was devoured. It was a fun project and creating a real-life, time-limited edible cheese map exhibit is definitely something I’m glad I did. Maps can be fun. They can also be downright tasty. I’ve had a few people ask about a craft beer map or a whiskey map…hmm. This could become a thing
Q. But dairy products are far from your only geohip media. Earlier this summer you unleashed a wave of envy with your Lego globe.
Ahh yes, the Lego globe. I’m a bit of a Lego freak. It’s one of those things that I loved playing with as a kid, just building stuff from those wonderful small plastic bricks. I had a lot of Lego when I was young but it was mostly random pieces, rather than sets. I guess adulthood eventually brings the financial muscle required to actually buy the kits and, so, it’s as much an adult plaything. At least that’s my excuse. But there’s never been a Lego globe set to my knowledge. You occasionally see them if you go to one of the Legoland parks but how do you go about building one? Again, it became a bit of a challenge and I like a mapping challenge.
While I like the kits I can buy and I can easily follow instructions I’m no master builder so I was delighted when I eventually found a German guy called Dirk who had not only designed a globe (and a flat world map as it happens) but, he also sells the plans at a very modest price. Once you’ve got the plans you set about buying the bricks from second hand online brick markets. Fascinating to even learn that there are thousands of people who have online stores trading in Lego bricks. I sourced the bricks from over 60 different sellers from around 10 different countries. The postie did wonder what all the packages were (that rattled). I had some explaining to do. There’s over 3,800 pieces and it then took about 30 hours to build. It’s not glued so it’s a pretty technical build in that it can easily cave in on itself because it’s a sphere. It’s mostly hollow but for a few solid layers top and bottom. There’s a large central vertical column between the poles, and four struts coming off that at the equator so there’s some structure but it’s pretty fragile.
My colleague John Nelson and I were involved in putting together a ‘creative cartography’ display for our User Conference in San Diego in July 2018 and I offered to display the globe near the exhibit. So we were able to do a Lego-themed exhibit (while not actually mentioning the name Lego of course – too much lawyer work involved in that one!). It was a real draw and selfies of people with the globe were popping up everywhere – what’s not to like about a globe made of Lego at a conference for map geeks!? I also took it on tour to the UK Mapping Festival where it was also exhibited behind a London bus. I have a large packing case for it now so am happy to take it to various places if people want it on display. It’s just a bit of fun and huge thanks to Dirk for his original work. I pretty much just bought his kit and built a copy. It’s certainly geohip and was quite an effort to source and build but Dirk’s is the only globe I’ve found with pretty accurate cartography and map colours and that was, of course, pretty important to me. Just please don’t ask how much it cost.
Q. On top of all that you list yourself on LinkedIn as a “Professional cartonerd”. What sorts of reactions does that get?
Well it’s better than the reaction I get to my official job title of ‘Senior Cartographic Product Engineer’. I have long discussions about that at work. We all have fairly generic job titles which is fine, but not on a business card which tends to leave a quizzical frown on people’s faces. In fact, I don’t even bother with business cards and the like because it kicks off a pointless conversation. But bizarrely, I’ve never had a job where I’ve been called a cartographer. Much of what I do is part of a cartographer’s job but I write, teach, blog, make maps, do research, design stuff, comment and critique, etc. The point is that people perceive ‘cartographer’ in fairly stereotypical and narrowly defined terms. It’s often regarded as old school. You know, people hunched over light tables with pens and rulers. I once actually did that as a job for a few months work experience and vowed never to become a cartographer. To date, I’ve kept that promise to myself even though I ‘do’ cartography. Dataviz expert, data scientist, data architect, coder, etc all resonate more favourably so I tend not to pigeonhole myself as ‘cartographer’. I wrote this up as suffering a condition called Cartographic Identity Disorder a few years ago.
I was given the name ‘marauding cartonerd’ after an infamous online ‘debate’ I had many years ago with someone who had made a wholly inaccurate map that I took exception to. It had gone viral but there were some serious flaws in the map and, therefore, the argument that was presented. Of course, no-one particularly cared and the maker of the map just got a little frustrated at what he saw was a pedantic cartographer pouring cold water on his otherwise great idea. Critique is something we get taught in cartography (if you studied it, which I did). Yet I have a sense that receiving critique isn’t something many are particularly open to which is a shame because ultimately it improves your work. Anyway, the moniker stuck, I started my blog with that name as a place to offer critique in a hopefully humorous style (though British humour and sarcasm is not to everyone’s taste as I have found numerous times). And I guess adding the ‘Professional’ bit to the front gives it a bit of tongue-in-cheek self aggrandising value. I actually tried to get it on my business card at work. It was rejected outright. But it’s really just a bit of fun, not to be taken too seriously, and provokes far more interesting discussions with people I meet for the first time.
I’m glad you think the book is a bit more serious. I guess it is, but I had immense fun writing and making it too. The ‘why’ is pretty simple – I just kept being told by those closest to me that I should put my thoughts, experience and opinions down in a place that can be easily shared. I’ve amassed a whole heap of experience from some brilliant people over the years and why not make it into a book to give others a shortcut to that experience. Given there really aren’t any good comprehensive books on the subject then maybe it was time I stepped up to do the job and give back to the discipline that has given me so much. And my background of a couple of decades teaching students about cartography always left me wanting that perfect missing text to support them in their studies. Sure, there’s a few good texts but never the one I really wanted and those that I used way back in the late eighties in my degree studies have long been consigned to the history of cartography pile…though I still have many of them. Concepts rarely die. Technology simply finds a new way to harness them.
I get asked the ‘who is the book for’ question all the time because people want to naturally work out if it fits their specific needs. The get-out answer is ‘everyone and anyone who wants to make a map’ but that doesn’t sit squarely with trying to place it neatly into a traditional context. But it’s not a traditional book. It doesn’t conform to what a traditional textbook looks like yet I hope it has enough content to support its adoption as a class text or a reference. It’s not a coffee-table book either because it goes further than simply delighting the eye with map-porn. Though it is lavishly illustrated with a mix of original (2/3rd) and third-party (1/3rd) maps and illustrations – some familiar, some perhaps not so. Some obvious, some perhaps a little tangential but all brought together to show the breadth of cartographic practice and excellence in design. I think of it as a desk companion. The title has a full stop (period) after it because there’s an intent that it is set up to be THE modern text on cartography. There’s a little bit of arrogance in there but I felt I was only ever going to get one shot at writing this book and I was going to give it my absolute everything. Many books I have on my shelf are either outdated or just dry academic texts and who wants those any more? We get our information from so many sources that if you’re going to write a book then it has to be attractive in structure, content, and appearance. It has to appeal to a readership who find it tough to pull themselves away from Wikipedia as their go-to sage. Or who might even question why anyone would part with hard cash for a paper-based information product. But this was always designed to be a book. I think there’s a lot of value in having a physical product that you can flick through. There’s a certain permanence about a good book and we’ve gone way beyond a traditional design ethos to make it something both instructional but which visually delights and makes you actually want to turn the page. We thought of every spread as a separate poster that you’d want to put on your wall. Every time you turn the page you see something different and interesting.
After many many alternative straplines (including the working title of “the dog’s b*llocks of map-making” – a title that was very much loved during its authoring but which, for obvious reasons, was never going to be allowed in print) I settled on ‘a compendium of design-thinking for map-makers’. The wording is deliberate. It’s a collection of ideas, concepts and practical information. It gives people a grounding but also enough detail that they can put ideas into practice. It covers the subject broadly but with just enough depth to be useful and without getting too ‘academic’. You could probably find an entire book that covers each of the individual topics which says much about cartography more generally as it’s a vast subject. I also wanted to infuse traditional cartographic ideas and thinking with material from the wider design-world. All too often we retreat to our standard cartographic education and background and I feel this has become a division. Designers make maps. So do data scientists and newspaper graphics people. In fact, everyone makes maps yet they’re not necessarily keen on exploring cartography. The inverse is true – too often cartographers fail to acknowledge that their specialism is part of a wider world of design. So, trying to marry the two, bridge the divide and attract people from those two sides might help them learn something about the wider world of map-making. And I used the term ‘map-makers’ rather than ‘cartographers’ in the strapline because I didn’t want it to be seen as something solely for those old school cartographers. It should help relative newcomers better understand the ins and outs of cartographic concept and practice. It should also act as a guide and refresher for those of us with more experience and, perhaps, a background in cartography. Sort of a reference for those little bits of map-making that perhaps you’ve never attempted.
All in all I’ve tried not to pigeon-hole it. I know that makes it difficult to define a target audience but if I were writing an academic textbook, or a coffee-table book, or a manual that supported making maps using Esri software etc then it’d be a different beast altogether. The fact Esri have allowed me to make a book that is blatantly not advocating Esri products is a major win and I sincerely thank them for taking a leap of faith with this book. It was a tough sell internally for a long while but people are beginning to think that we should be doing more of this sort of stuff – general reference detailed guides about domains. Of course, all of the original maps in the book were made using Esri software but it’s implicit. It’s a tangential demonstration of the design capability of the software but, of course, my main motivation is to support map-makers in their endeavors whatever tools of choice they use. Better mapping all round is the aim. I was also able to persuade Esri Press to publish it in Oxford English. It just wouldn’t have sounded like me if it was written in American English but for an American publisher that was a really huge concession. Again, kudos to many people who went with my idea!
The reaction has been hugely positive. Sales have been pleasantly surprising. Quite a few were sceptical of the potential to get a good return on the huge investment that Esri Press made in supporting this project but it’s doing really well. There’s been lots of really nice reviews and comments, many from luminaries in the world of mapping. I mean, when you start your day with complimentary emails from the likes of Mark Monmonier you get a buzz that your work has found a home among many other great map books and revered authors. I was really fortunate to work with a few dozen fantastic people who contributed to the book too. I wanted different voices and experts to describe maps and ideas, so it’s not just me and my views and ideas. I think this has really helped generate interest. My favourite quote, though, was from one of my young nieces, who upon seeing a copy just before it went to the printers shrugged and simply said ‘who’s going to buy that?’. Family can always be assured to keep you grounded. It’s important. But, professionally, people do seem to like it. I walk around at work and there’s copies in offices and posters on walls and I’m hopeful that some of the content will rub off in a positive way. I’ve met people in eastern Africa who were desperate for a copy and I see tweets from all over the world of people unboxing it and posting their thoughts. I am genuinely humbled and thrilled that it’s been so warmly received. I couldn’t have done it without dozens of people though, and they all have a piece of ownership of the book. There’s a few more details about the book here and, hey, it’ll soon be Christmas. Order early. Order often 😉
Q. Life’s not all geohip projects though, even a geohipster must eat. Tell us a bit about your day job. What are you getting up to?
You mean life as a ‘Senior Cartographic Product Engineer’? Well, yes, the job pays the mortgage and buys the cheese but it’s a great job and I love working at Esri in sunny California. For a kid that wanted to be a NASA astronaut or a California Highway Patrol Officer (too much time spent watching CHiPs as a kid) then working in cartography and GIS in Cali is a dream come true. I arrived here mid-career after 20+ years as an academic in the UK. I’m colloquially referred to as the ‘resident cartographer’ in that I’m seen and used as an internal expert. I work on the development team for ArcGIS Pro but get to work in other areas (like content, ArcGIS Online etc) as needed. Day to day I help the team with ideas for making the software better or more useful for making maps. We have some really bright software engineers and developers so my role is to help shape how map authoring tools are designed based on what I know and what I learn from those that want better or new tools.
Thankfully no-one lets me anywhere near the codebase as my coding skills lapsed many many years ago. But it’s fulfilling in that I know that tens of thousands of people use the software to support their own cartographic work and I see ideas and design influences appear every year at our User Conference map gallery which I also help judge. A lot of the maps I make are done predominantly for internal purposes. Testing of the software is ongoing but a lot of tests are done using relatively small datasets. So I try and make ‘real’ maps with large-ish data sets. Often I’m trying to test the tools and software to destruction to find those naughty little bugs that you only really ever find when you try and do ‘real’ work. I also push the software to try and use it in ways it was perhaps never designed for, to derive new workflows or show people how to go beyond the defaults. To that end, I get to make maps on topics and datasets that I find interesting, and write about my maps and publish them as examples of what can be done with the software. Blogs help bring ideas to the world that people can go and experiment with. And, of course, imitation is the sincerest form of flattery so it always brings a smile to my face when I see an idea permeate across geo and turn up being used in other ways by people using different software. It’s all good as far as I’m concerned. So I also get to write, and teach workshops, research stuff, present at conferences and generally act as a spokesperson for high quality cartography. A couple of years ago my better half, the astoundingly talented Dr Linda Beale and I built a toolbox of terrain tools – just scripts that we built to allow people to create different ways of representing terrain than the usual default hillshades. It’s been downloaded nearly 20,000 times and we see evidence of their use all over the place. It’s a small example of being given the flexibility to just ‘do good work’ and share it. I’m convinced if you build decent tools, maps, and interesting cartographic styles and workflows then people will experiment and take them further. That’s definitely a really key part of the job for me – to see how others make use of the things you build. I’m currently building a set of cartogram tools too with the help of a number of people. These are the sort of things that might otherwise take ages to get into core software but which can be relatively easily built for those that want to get to work with them.
As well as Linda, I have the immense privilege of working alongside some seriously talented cartographers too. Having the likes of John Nelson, Wes Jones, Edie Punt, Bojan Savric and Nathan Shephard (and many others!) around drives us all to be innovative and find new or better ways of doing things. It also helps having experts along the hallway when you get stuck! That’s also why we developed our MOOC on Cartography, to share some of that expertise. At the time of writing we’re into our second offering and have so far got nearly 70,000 people registered. Imagine that – 70,000 people all wanting to learn a little bit about cartography. We had great fun making the videos and designing the exercises and, of course, it’s free so it’s nice to be able to do something that we can genuinely give back to the community. It’s also really pleasing that the company as a whole is happy to support ideas that, perhaps, aren’t at the absolute core of building GIS software and services. It’s a real privilege to be able to work in this way and support our general work through bringing new and different ideas to the table..
Q. Many of the (often quite lengthy) posts on your blog analyse map design. Occasionally you praise good design, but you’re also often liberal in dishing out the criticism. What’s the motivation for the blog and what sort of feedback do you get?
Yeah – I’m not very good at being brief. Sorry. As I mentioned earlier, that blog (my personal cartonerd blog) is deliberately designed to be a place for somewhat humorous takes on bad maps of all types. And there’s a lot of them about. I try and explain why certain designs, data manipulation, symbology or projections simply don’t work to support the job that the map and the map-makers claim to be doing. Really, it’s a taste test for the quality of the map because map readers in the general population are more than likely not attuned to knowing about such things. Why should they? They are busy being experts in their own sphere yet the map, as a document, is often considered to be fact. They can just as easily be fake through deliberate action or through a little slackness on the part of the map-maker, often simply through them not fully understanding their actions either. Much of this is not deliberate. So the blog simply tries to point this out, to mediate the message of a poorly designed map so people can better appreciate the ways it might be lying to them. I get far more grumpy responses than praise for pointing stuff out but that’s to be expected. No-one likes being told their map isn’t particularly good. I get critique on my work all the time but you kinda have to be able to disassociate comments about the map from a personal attack, which is never the intention. It’s always about the work. The map and its message, which I am simply pointing out is flawed as designed. So it’s intent is educational. Often, cutting out some relatively simple but commonly made mistakes would make a far better product.
So I often get seen as this grumpy, curmudgeonly middle-aged guy who just hates on maps. That’s not strictly true but that’s the focus of that particular blog and if that’s all you see of my work then I understand that impression. I am forthright. I do tell it as it is. I know that’s not always an approach that people find comfortable but I’d rather be up front and totally honest. But if people care to look a little wider they would see balance in what I do. I am also Chair of the International Cartographic Association Map Design Commission and that gives me more scope to look at the positives in maps. A couple of years ago I blogged a map a day for a year, writing up a few words on why it exhibits excellence in design and those are still online for people to explore. It’s almost the inverse of the cartonerd blog but, together, they balance each other nicely. And, of course, there’s plenty of other blogs, presentations and suchlike where I focus on what’s good in maps. I guess people like to gravitate to me poking a little fun at a bad map though. That’s ok. I’ll happily engage in debates on maps.
Q. It seems you’re not just hunched over the keyboard though, you get out on the conference circuit. Which also has its pros and cons, as you recently documented. What makes for a good geo conference in the modern age?
I am privileged in my job that part of what I do is to get out and about around the world. But you’re right, I think most conferences are getting a little tired and that’s driven by several factors. They often fall back on historical delivery models. They are often organised by people who you rarely see elsewhere so they default to what they know. There’s simply too many geo conferences! If I get handed a tote bag with flyers from vendors and sponsors I know I’m in for a pretty tedious few days. That junk usually gets dumped straight into the hotel bin though I try and simply not pick it up anymore. Conferences are historically places to meet people, network, learn, find out new stuff, and share your ideas. But all too often it’s the same people who go to the same conferences. I liken them to clubs. A certain group of like-minded people who already know they enjoy each other’s company goes to club A, and another group goes to club B, and they are very unlikely to meet each other. And in geo in particular, you have many people entering the realm from a variety of different backgrounds. Once it was only people working in hardcore mapping agencies, then the wider world of GIS brought others to the table (and new clubs emerged), now students of computer science are finding work and excitement with data that happens to have coordinates (and new clubs, often referred to as meetups, have emerged). Yet the question is, do they want to belong to these other clubs? I sense not and the evidence is they usually shun older clubs and form their own new club to be seen as fresh and relevant. And rather than these older clubs trying to find ways to get them to join in, they should be looking to change the model in ways that meets modern needs and which encourages a bit of intermingling.
It’s a little like cartography more generally. Every few years new technology comes along and disrupts practice. You can either be one of those mapping people who bemoans having to constantly re-tool, or you simply take a deep breath and learn new stuff. If I’d been the former then my career would have come to a rapid end decades ago. You have to move with the times and keep up, keep learning, not be afraid to ditch old habits and practices, or be that force of change that helps drive innovation. Too many geo conferences are stuck so far in the past that it makes taking days out of your schedule and money out of your budget a questionable activity. We meet in so many different ways now. Only this morning I had a conversation via Twitter’s DM with someone who, only a few years ago, I might only have met at a conference once a year. So the shrinking world means we have to rethink these meetings. They have to become something that people want to go to, not feel an obligation to support. It’s not impossible. I like the #geomob model of more frequent, less formal meetups. I think a lot of people gravitate to that sort of gettogether. But even at the recent UK Mapping Festival it was fascinating how few people who attended the conference during the day went to the #geomob event in the same city in the evening. Bar a few, almost completely different sets of people but which would really benefit from sharing ideas and experiences between their de facto groupings. It’s just a case of developing events at which both groups can feel comfortable and where they see value. Otherwise the groups become self-selecting and self-organising rather than offering proper outreach and events that drives mutually inclusive rather than mutually exclusive activities.
There are too many geo societies and groups in the UK though. It’s fragmented and, so, that drives the divisions through different club mentalities and events. I have no magic solution but I do suggest people look at models that are used elsewhere for inspiration. I’m a big fan of the North American Cartographic Information Society (NACIS) conference. It’s annual. It travels to different US cities, often second tier cities like Boulder CO, or Norfolk VA to avoid the costs associated with the major cities. And they have a programme that attracts a really diverse crowd. You have the GISers mixing with the Adobe fans. You have decade old cartographers mixing with artists, designers and coders. You have the Esri crowd mixing with those from Mapbox, CARTO and others. You have map publishers like National Geographic in attendance alongside those that work for the New York Times and the Washington Post for instance. People from totally different backgrounds and with different workflows and needs. The key connecting factor is the map. Everyone is there because they are interested in maps. No angst. No tribal tendencies. Just a shared passion and good conversations. But when I go to FOSS4G I still sense some tribal BS. When I attend the more traditional mapping conferences in the UK I still see out-moded organisation and people wondering why new folks aren’t there. It can be different and the NACIS model somehow manages to stay ahead of the curve.
I’d like to see modern geo-events be fewer and more inclusive. Different tracks and content that attracts a diverse range of people who are interested in, work in, or simply have a fascination for maps, geo, GIS, however they frame it. Such an event shouldn’t be directly linked to a particular society or club mentality. It needs to bring together different communities and be marketed at those communities in ways that gives them a real reason to attend. And that might be through different strategies for different communities. I’m not saying for one minute that this is easy. If it were, I’m quite convinced people would already be working towards it. But, instead of tinkering with models that we’ve relied on for years, perhaps ripping up the template and trying to find something fresh is what’s needed. After all, the entire purpose of a conference is to get together, share and learn. That contact between people during a talk or in the bar in the evening is often so fruitful. New relationships emerge and new ideas form. I’ve relied on conferences throughout my career to support my own lifelong learning. They help keep my work relevant and they have led to so many wonderful experiences and the development of a terrific network of colleagues, many of whom I now count as some of my closest friends. It’d be a shame if future geo-people don’t have an opportunity to do these things just because they feel that events aren’t relevant any more. We have to drive to make them relevant.
Take the #geocheese as a perfect example. If I hadn’t seen Chris’ biscuit map hanging on the wall at a conference last year I may never had got the spark for a map of cheese. And because of the map of cheese, I was invited to answer some questions for this GeoHipster blog. These opportunities sometimes happen by design but, more often than not, they’re serendipitous. You learn stuff, hone an new idea, execute it, and new opportunities emerge as a result. Take the Cartography book as another example. Because it’s doing well I’ve been able to pitch another book idea and get support. Nothing quite as grandiose this time but a useful book nevertheless. I’m looking forward to really getting going on this in the latter part of this year and early 2019.
Q: What closing advice do you have for all the geohipsters out there?
I’m probably the last person to be giving advice to budding geohipsters. Just do what you love doing. Find a way to make your voice heard and own your work by putting your name to it. It builds respect and, eventually, authority. Don’t get too caught up in any hyperbole that might come with your work and take critique in a positive fashion, never personally. Learn from the past and what people have found is best practice from decades of learning and figuring it out – but don’t be afraid to bend a few rules once you’ve learnt how they can be bent meaningfully. Understand that very little is actually new any more so build on what’s gone before rather than always trying to reinvent. Cite your sources and inspirations. Be humble in your work but find ways to enjoy what you do. If it’s worth doing, it’s worth doing right. We live a geo-lifestyle. It’s hard to detach the profession from personal interest. Also, look beyond your own sphere. I found so much out during the process of writing my book. I mean, who ever imagined they’d read a quote from Bruce Lee in a book on Cartography but once I’d seen it it had to go in. I think it’s a perfect way of capturing the essence of being in geo, whether you’re a middle-aged geo-hippy-hipster like me or someone a little newer to the mapping game: “Adapt what is useful, reject what is useless, and add what is specifically your own.” Enjoy Lego if that takes your fancy. If not, eat some cheese!