Gretchen Peterson is a cartography explorer who is constantly on the lookout for new techniques, tricks, and solutions that collectively elevate the status of maps. Peterson shares these adventures in her cartography books, blog, and twitter stream, and also, sometimes, cracks
extremely funny nerd jokes. As a Data Scientist at Boundless, Peterson designs basemaps with open source technology, and recently wrote a blog series on QGIS.
Q: You’re pretty much renowned the world over for your cartography publications (Cartographer’s Toolkit, GIS Cartography: A Guide to Effective Map Design First Edition and Second Edition). Tell us a little bit about your background and how you came to be an author.
A: Thanks Jonah, but I’m definitely not renowned the world over. In fact, before I took a position at Boundless last year, one of my siblings was counting unemployed people in our family and included me in the tally. It was obvious that not even my own siblings knew what I was doing all day, even though at that time I was running a successful geo consultancy. That said, I do occasionally run into people who know me, which is a pretty neat thing, although it can be embarrassing when you’re recognized taking a selfie with your own book at the Esri User Conference bookstore.
My background is in natural resources. I’ve been a life-long advocate for environmental stewardship, and GIS, as a means of cataloging, understanding, and anticipating Earth’s processes, was a subject that a professor urged me to study and was the subject of my second most important internship. (The first was censusing common terns, which involved less time on a computer and more time getting pooped on.)
My first non-internship job was at a technology firm in which I was asked to not only do GIS but to also make maps of the results. This is that moment when you realize how important proper results visualization is for your own career’s sake as well as for the success of the projects that you’re working on. If an analysis points out where the county should purchase land to protect an important species, you’d better be able to map it adequately.
There was a significant dearth of practical cartography books at that time: the early 2000s. With some training in design — I was a landscape architecture major in college my first year — I decided that if no adequate books on the subject materialized in the coming decade, I’d figure out good map design principles myself and then write about it for others. And that’s exactly what happened. The first book I wrote is more of a comprehensive textbook on cartography while the second is full of practical tools like color palettes and typefaces. It turns out that both books have been embraced by college professors and career professionals alike.
Q: You recently made the jump from being a private consultant to working for Boundless as a Data Scientist. Has that been an easy transition?
A: Working at Boundless has been just as exciting as I had hoped it would be. Some of the brightest geo minds work there, and they have a sense of pride in helping do good things for the geo community. I think that in most professional positions one ultimately is happiest when making important contributions, whatever they may be, and I have plenty of opportunities for that in this position.
Q: You give regular cartography tips on your blog. If you could give only one piece of advice to someone what would that be?
A: This is not a fair question! I’ve been giving advice on my blog for close to 5 years, and there’s still so much I haven’t covered! But seriously, if I had to say only one thing it’d be to study existing maps, both old and new, and begin to compile a list of map patterns that can come in handy for future mapping projects. The patterns part of map patterns is a term I’ve borrowed from software engineering where it’s been shown to be a good idea to thoroughly understand how problems are commonly and most efficiently solved. They say that all innovation is derivative, and that extends to cartography as well.
Q: I think we got started in GIS around the same time (late nineties) — we’ve seen a lot. What do you think is the greatest accomplishment in cartography in the last 5 years?
A: The greatest change has been the movement from cartography as a medium that only specialists could use to cartography as a medium that everyone can use. This new ease-of-use has resulted in an influx of design-oriented, rather than science-oriented mappers to join the field. As a results, the aesthetic level of all maps has increased dramatically and thereby engaged the public to such an extent that they’ve become demanding users of maps rather than blasé bystanders by virtue of the maps’ enhanced readability, interactivity, and beauty. This is all good.
Q: We had a conversation once about emotional cartography/ers and the need for affirmation (#mapaffirm). Are you an emotional cartographer, and why is affirmation in design work important?
A: Ah yes, this is an important subject, especially for those new to the profession. It’s a “haters gonna hate” kind of situation with the map critics out there. And some mappers get down about how their maps are received.
I’m not an emotional cartographer, but that doesn’t mean I shouldn’t be sympathetic to those who are. Gordon MacKenzie, who wrote Orbiting the Giant Hairball, talks about his position at Hallmark as one of shoring up employees’ egos. If a designer came to him with an idea, he invariably responded that it was a good idea, whether or not it truly was. His reasoning was that if it wasn’t a good idea, the designer would eventually realize that and halt production. Perhaps along the way the designer, with the confidence of being backed by a design director like MacKenzie, would come up with a superior product idea.
We also have to remember that rarely does anyone appreciate creative endeavours, especially those that push boundaries, as much as they should when the object is first released. Only time can prove the utility and lastingness of a great map. Just as Mark Twain had to stand up for himself after an editor tried to suggest changes to one of Twain’s introductions, so we can too, for the maps we make today, whether or not they win awards this year or meet with critical favor at the time they are first released. (It did not end well for the editor. Twain not only refused to edit the piece, but also rescinded the piece altogether.)
So, even if you feel like you need to attend a meeting of Emotional Cartographer’s Anonymous, you must have a certain courage when it comes to publishing maps. And if a map that you made was indeed a terribly misinformed piece of drivel, then just remember what @mysadcat said, in its infinite wisdom: https://twitter.com/MYSADCAT/status/468835053863452674/photo/1.
Q: What are your desert-island, all-time-top-5-favorite maps?
A: First and foremost would be Google Maps. It’s likely the most extensively and most frequently used map, with the most factual coverage, and with the biggest team behind it, that the world has ever seen. By a long shot. It’s Lewis Carroll’s life-sized scale map concept at heart, in that it contains so much spatial information at such large scales that it comes close to being intellectually life-sized but has none of the cumbersome problems that Carroll’s 1:1 scale map would have.
“It has never been spread out, yet,” said Mein Herr: “the farmers objected: they said it would cover the whole country, and shut out the sunlight! So we now use the country itself, as its own map, and I assure you it does nearly as well.” –Lewis Carroll, The Complete Illustrated Works, Sylvie and Bruno Concluded
The second choice would be any thematic map that illustrates the power of zoom-level mapping, where one can discern patterns at many scales, and thus draw from it a multitude of important conclusions. Dot maps are particularly well suited for this, such as the Ethnical Dot Map by the University of Virginia Demographics Research Group.
My third choice would be the Dymaxion map of world wood-density, which is made of wood and foldable. It has all my favorite components: a cool projection, a very meta media vs. content message, and it’s tactilly interactive! The creativity that went into this is inspiring.
My fourth choice would be the North American Bird Flight Range Shifts series for the intuitive animations of ranges over time, the small-multiples aspect, and the underlying mission to better understand our natural resources through superb visualizations. Plus, the Stamen Design blog post on the subject includes a gif of an owl being bopped on the head by a much smaller bird.
And lastly, I would bring along a kusudama made from the pages of an old map book. This work of art was created especially for me by a good friend. Personal maps should always be kept close to the heart.
Q: The standard #GeoHipster interview question: What does the phrase mean to you and are you a #geohipster?
A: My guess is that a geohipster would be a person who is receptive to new techniques and new technologies inasmuch as they make a better world through geo. A geohipster would also be a person who is able to reach into the past for anything that can be adapted and put to good use in the present.
In this sense of the term geohipster I would hope that I could be included. I don’t fear new technology but I also don’t want to dwell on it to the exclusion of other ideas that could be useful, since cartography is fundamentally about where things are, not about the technology that displays them. Just as we don’t need parchment anymore for maps, so too we may not need computers in the future. As long as I’m massaging spatial information into wisdom or into tools that make wise decisions possible, I’m happy.
I do have to confess to never having GPSd my biking trips. If that’s one of the criteria, then I’m not a geohipster.